D20 amplifier

Four channel amplifier

• Maximum output power
  4 x 1600 W into 4 Ω
• All current d&b loudspeaker
  setups except J-Series, M2, SL-Series
• Display Colour TFT touchscreen, 3.5″/320 x 240 pixel

The 2 RU four channel D20 amplifier is ideally suited to mobile and installation applications which require low to medium Sound Pressure Level (SPL) capabilities. The D20 features the same Digital Signal Processing (DSP) platform as the latest generation of d&b amplifiers, containing configurations for all d&b loudspeakers except the J-Series and the M2 monitor, plus a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft), which can be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D20 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen are tilted up for easy operation when the amplifier is below eye level. The equal ratio of signal input to amplifier output channels increases application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D20 amplifier electrically compensates for the properties of loudspeaker cable used. The D20 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V – 240 V, 50 – 60 Hz and maintains a stable output when used with weak or unstable mains supplies. An NL8 provides all outputs on a single connector for loudspeaker multicores. Dual channel mode is driven through four individual NL4 connectors, while Mix TOP/SUB and 2-Way Active mode output configurations for applicable d&b loudspeakers are available via two central NL4 connectors. etherCON and RJ 45 connectors enable access to the d&b Remote network through OCA/AES70 via Ethernet and through CAN-Bus respectively.

D80 amplifier

High power four channel amplifier

• Maximum output power
  4 x 4000 W into 4 Ω
• All current d&b loudspeaker setups
• Display Colour TFT touchscreen, 3.5″/320 x 240 pixel

The 2 RU four channel D80 amplifier is a high power density amplifier, ideally suited for use in both mobile and installation environments. It contains configurations for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft) to be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D80 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen of the D80 amplifier is tilted up for ease of operation when the amplifier is below eye level. The equal ratio of signal input to amplifier output channels increases the application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D80 amplifier enables the electrical compensation of loudspeaker cable properties, without the need for an extra conductor. This results in an increased accuracy of audio reproduction over a bandwidth of up to 20 kHz, preserving the tonal balance when cable lengths of up to 70 m (230 ft) are used. The D80 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V/120 V/200 V/230 V, 50 – 60 Hz and maintains a stable output when used with weak or unstable mains supplies. An NL8 provides all outputs on a single connector, while individual outputs are optionally NL4 or EP5 connectors. RJ 45 and etherCON connectors enable access to the d&b Remote network via CAN-Bus and OCA/AES70 via Ethernet respectively.

FFA four channel amplifiers

Full power delivery all channels driven simultaneously loaded 4 ohms. Very useful and versatile multimode amplifiers, suited for large scale touring point source or line array systems. Equally suited in less demanding bass applications. Very installation friendly and ideal for bi amp stage monitoring systems or multi point theatre installations. Proprietary high efficiency FFA Class D output stage coupled with high current switch mode supply enables high power delivery even in the harshest environmental conditions.

A practical transparent screen 2m High x 1.2m Wide on a lockable wheeled frame for on-stage vocalists in accordance with government guidance for Covid/19 returning live events.

Packed in a neat gig bag for on-site assembly, the gig-screen is sanitised and cleaned after each use so you can be assured of a safe performance.

Applications:

• Vocal Screen
• Brass Section Screen
• FOH / Monitor Screen

Industry leading classic DI for stage.  Mono balanced XLR input and Output, 1/4″ TRS Input with Link through.

Powered by PP3 9V battery or Phantom +48v power from your line system.

DiGiCo’s Little Blue Box allows users to share a DiGiCo D-Rack between a console with a CAT5 rack connection and up to 2 MADI based consoles.

The SD9 / MADI switch allows you to select which console is the main console controlling the gains and the outputs; in SD9 mode the CAT5 connected console is in control, and in MADI mode the MADI connected console controls the gains and the D-Rack outputs. The secondary console in each setup acts as a receive only console, receiving the inputs from the rack as a split, with the option of using DiGiCo’s Gain Tracking system.

The Console Rx. Auxiliary output provides an additional MADI split output which can be connected to any MADI console or even straight to a MADI Multitrack recording computer via a DiGiCo UBMADI or DiGiGrid MGB.

The Little Blue Box is powered via USB, with a second USB port acting as a thru.

DiGiCo’s Little Red Box allows users to share a DiGiCo D-Rack between 2 DiGiCo consoles that support our CAT5 rack connection.

The D-Rack only has a single CAT5 console connection, with no built-in way of sharing the rack. The Little Red Box, however, will allow you to plug in your D-Rack into both your main console and a secondary console. The main console controls all the gains, as well as outputs on the rack, whilst the secondary console acts as a ‘receive only’ module for the inputs. This rack sharing setup is perfect for operating a Front of House and Monitors configuration. DiGiCo’s Gain Tracking system can also be activated when required.

The handy SPLIT MADI switch allows you to decide if you want to split a D-Rack or one of DiGiCo’s MADI based racks. While the D-Rack CAT5 rack connection on a console is usually limited to 32 inputs and 16 outputs, the Little Red Box allows a full 56 I/O to be used when a MADI rack is connected; a great way of expanding the I/O capabilities of the CAT5 port on your SD9, SD11 or S-Series console.

Audio over IP is becoming more and more sought after, due to the fact that it works over a standard IP network and can be sent over pre-installed infrastructure. Developed by Audinate in 2006, Dante provides uncompressed, low latency, multi-channel digital audio over IP and is a popular choice of protocol.

DiGiCo offer a Dante interface that allows 64 channels in and 64 channels out at 48kHz, and 32 channels in and out at 96kHz. The DMI-DANTE has a Primary and a Secondary port, both of which are Ethercon ports. The card has two modes that can be changed in Dante Controller. In Switched Mode, the ports are switched together. In redundant mode, the ports work as a redundant pair with separate IP addresses so that if the primary connection fails, the secondary connection will take over.

Main Features

• 2 Ethercon ports
• Switched mode switches the ports together
• Redundant mode allows the ports to work as a redundant pair
• 64 channels in and 64 channels out at 48kHz
• 32 channels in and 32 channels out at 96kHz

MADI (Multichannel Audio Digital Interface) is arguably one of the most popular protocols for transmitting high channel counts in professional audio. This is partially due to its ease of use, and the ability for cables to be run long lengths with minimal signal loss. Originally only capable of transmitting 56 channels, MADI is now capable of transmitting up to 64 channels.

DiGiCo offers two MADI DMI cards, each with different connector types. Both the MADI-B (BNC) and the MADI-C (RJ45) cards can be used to connect up to 64 channels of audio in and out at both 48kHz and 96kHz. At 48kHz, the B connection can be used as a redundant audio stream. Should the A stream fail during use, the B stream will seamlessly take over. At 96kHz, the B connection must be connected to provide the full channel count.

Main Features

• 75Ω Coaxial (BNC) connections
• 64 channels in and out and 48kHz and 96kHz
• Redundancy if working at 48kHz
• For use with any standard BNC MADI audio device

MADI (Multichannel Audio Digital Interface) is arguably one of the most popular protocols for transmitting high channel counts in professional audio. This is partially due to its ease of use, and the ability for cables to be run long lengths with minimal signal loss. Originally only capable of transmitting 56 channels, MADI is now capable of transmitting up to 64 channels.

DiGiCo offers two MADI DMI cards, each with different connector types. Both the MADI-B (BNC) and the MADI-C (RJ45) cards can be used to connect up to 64 channels of audio in and out at both 48kHz and 96kHz. At 48kHz, the B connection can be used as a redundant audio stream. Should the A stream fail during use, the B stream will seamlessly take over. At 96kHz, the B connection must be connected to provide the full channel count.

Main Features

• RJ45 connection
• 64 channels in and out at 48kHz and 96kHz
• Redundancy if working at 48kHz
• Only for use with DiGiCo audio over Cat5 devices
  • Internal switches to determine whether connected to a console or a rack

Audio over IP is becoming more and more sought after, due to the fact that it works over a standard IP network and can be sent over pre-installed infrastructure. Developed by Audinate in 2006, Dante provides uncompressed, low latency, multi-channel digital audio over IP and is a popular choice of protocol.

The DiGiCo DMI-DANTE64@96 allows 64 channels in and 64 channels out at both 48kHz and 96kHz. It has a Primary and a Secondary port, both of which are Ethercon ports, and an RJ45 Control port. The card has two modes that can be changed in Dante Controller. In Switched Mode, the three ports are switched together. In redundant mode, the Control and Primary ports shall be switched together and work as a redundant pair with the Secondary port, each having separate IP addresses so that if the primary connection fails, the secondary connection will take over.

Main Features

• 2 EtherCON Ports
• 1 RJ45 Port
• Switched mode switches the ports together
• Redundant mode allows the ports to work as a redundant pair
• Inbuilt SRC between 48kHz and 96kHz

Compact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems.

• 17 motor faders (16 channels + 1 master)
• 40 input mixing channels (32 mono + 2 stereo + 2 return)
• 20 Aux buses (8 mono + 6 stereo) + Stereo + Sub
• 8 DCA groups with Roll-out
• 16 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs
• 16 analog XLR outputs
• 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device
• 8 Effects and 10 GEQ
• 1 expansion slot for NY64-D audio interface card (Supplied)

16 + 2 fader configuration in a compact, rack mountable unit.

• Mix channels: 32 mono, 8 stereo.
• Busses: 16 mix, 8 matrix (Input to Matrix supported).
• Local I/O: 16 in, 8 out.
• Fader configuration: 16 + 2 (Master).
• Compatible with RIO-3224D2 or RIO-1608D2 Stage Racks via CAT5e (up to 100m)

S21 : Overview

DiGiCo’s world-renowned innovation, deep feature-set and flagship audio quality of our high-end digital consoles is within reach of everyone. How? Meet the S21 – a world-class DiGiCo mixing console at an astonishing price.

Step up to the S21’s worksurface, complete with dual P-CAP multi-touch screens, 48 flexi-channels, the equivalent of 46 buses and benchmark 96kHz performance, and this console’s heritage is clear – the S21 is every inch a DiGiCo desk. It’s also a revelation in terms of what an introductory digital console can deliver.

Based on the same pioneering design approach as the industry-leading SD series, the S21 boasts the same proprietary audio algorithms plus a new ARM QuadCore RISC processor which runs in harmony with the FPGA core. The result is faster processing with lower power consumption, all packaged in the workflow that the industry’s most respected engineers rely upon – now available to everyone.

Under the Hood

Familiar to the touch and built for the road, the S21 offers mixing without limits. The integration of a high power QuadCore SoC with high bandwidth memory, a low power 484-ball array FPGA and a fourth-generation control SHARC DSP offers unprecedented power today as well as the potential for a future processing upgrade path. The compact footprint of the S21 has no relationship to the scale of processing power going on under the polycarbonate worksurface.

The two touchscreens each provide 10 channel strips, giving not only clear visual feedback and control of 20 simultaneous channels for a single user, but also the possibility when mixing large shows for more than one operator to take advantage of the newly designed drag, swipe and drop feature that simplifies custom fader layouts.

Visual feedback is further reinforced by the HTL (Hidden Till Lit) functionality of the encoder rings, while parameters currently not in use are automatically greyed out, always drawing your attention to the right controls.

The dual screen concept aims to aid the new user learning curve and remove distractions by not only giving you more channels to view at any one time, but also allowing one screen to be used as a setup or master whilst the other is utilised for operation. Both touchscreens are responsive to EQ shaping, with fine-tuning available via the tactile and intuitive rotary encoders.

Altering the Channel Bank layout, and mixing and matching any channel, aux, group, control group, or matrix within a bank, is easily accomplished by drag and drop at the touch of a screen.

I/O

The S21’s local I/O section includes 24 mic/line inputs, 12 line outs, two mono AES/EBU, and two DMI (DiGiCo Multichannel Interface) card slots which interface to standard industry formats such as Analogue, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network.

The console connects seamlessly with the DiGiCo remote I/O D-Rack providing an additional 32 inputs and up to 16 outputs.

DiGiCo SD11B : Bigger on the inside….

Bringing the firepower of seventh generation FPGA technology to the world’s most challenging and fast-paced broadcast environments, the SD11B packs unprecedented processing firepower into a 19-inch rack mount or table top format.

Small enough to carry on the road or squeeze into the tightest of studio environments, the SD11B is as remarkable for its full feature set as it is for its diminutive footprint. With its steel chassis and polycarbonate-overlaid aluminium worksurface enveloping the trademark 15-inch TFT LCD touch screen and 12 touch-sensitive moving faders, the SD11B is the very epitome of strength and flexibility.

Under The Hood

The SD11B boasts 80 Channels at 48kHz or 96kHz, with the ability to create multi channels for 5.1 or more complex input configurations. Standard channel processing across both inputs and outputs includes Channel Delay, Single and Multi-Channel Presets, Hi- and Lo-pass filters @ 24dB/octave, six-band parametric EQ with band curve selection, Dual insert points, DiGiCo’s DYN 1 (Compressor, De-esser or Multi Band Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console also benefits from 118 powerful assignable Dynamic EQ processors, working on each of the four standard parametric bands, plus there are also 118 Multiband Compressors and 118 DiGiTubes; regardless of how the console is set up, you won’t lose any resources as all channels deliver the same pristine signal path and feature set.

The master section incorporates 12 gangable 32 band graphic EQs, 8 stereo effects, and eight control groups (VCAs); using snapshots, you can  switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even mid-show.

The console’s 24 busses are assignable as mono/stereo groups or auxiliaries, and a 12×8 output matrix, dual solo busses for PFL and on-air soloing in mono, stereo LCRS and 5.1; and an LR/LCR/LCRS/5.1 Master buss are available for even deeper configurability. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The SD11B sports a mighty local I/O section, including 16 mic/line inputs, eight line outs, two mono AES/EBU, one MADI port, and one dedicated D-Rack port. The console connects seamlessly with the DiGiCo 32 input, 8-output (expandable to 16) remote I/O D-Rack, while a factory-fit Optocore option connects to all DiGiCo racks and consoles in a redundant loop.

SD12: A True Sonic Powerhouse

Compact in size but big on features, the SD12 raises the bar as a multi-application digital console at an exceptionally affordable price point. Not only is the SD12 a true sonic powerhouse, it is the first in the SD-Range to feature an integrated recording interface which makes virtual sound checking a snap.

Designed to provide optimum performance in live touring, corporate, install, house of worship, theatre and broadcast environments, the SD12 incorporates the latest generation Super FPGA technology and Core 2 software to deliver unrivalled power and connectivity in a compact frame.

Designed for even easier operation, the SD12’s new DVI display output provides an overview of the console, while brighter LED meters and a DiGiCo Lightbar ensure optimum visibility. Dual 15-inch touchscreens, two assignable master faders and advanced surface connectivity is provided in the form of optional DMI cards.

Under The Hood

The SD12 boasts 72 channels at 48kHz/96kHz, delivering a wealth of functionality. Standard channel processing across both inputs and outputs includes Channel Delay, Single and Multi-Channel presets, Dual insert points Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

On board are 119 Dynamic EQ processors which can be assigned to any of the input or output channels; 119 Multiband Compressors and 119 DiGiTuBes. All channels deliver the same pure signal path and feature set, so no matter how you set up your console, you never lose any resources. Within the master section are 16 graphic EQs, 12 digital effects, and up to 12 control groups (VCAs). Using snapshots, engineers can switch between complete configurations at a touch.

The SD12’s 36 busses are assignable as sub-groups or auxiliaries, while further configurability comes courtesy of a 12×8 output matrix, dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

The SD12’s extensive local I/O section offers eight mic line inputs, eight line outs, eight mono AES/EBU and dual MADI in/out. The SD12 comes complete with dual DMI (DiGiCo Multichannel Interface) option card slots, perfect for expandability with industry formats such as Analogue expansion, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network.

Yamaha TIO1608D provides expansion for the TF range of consoles and connect by Dante CAT5/e (up to 100m) to the NY-64D card fitted in the TF Console.

Up to 3 TIO1608D can be daisy chained on a single line.

Each TIO1608D provides 16 analogue inputs and 8 analogue outputs at 48Khz.

This high-performance I/O rack features 16 analog inputs and 8 analog outputs, and is compatible with Yamaha CL and QL series consoles as well as the RIVAGE PM series. The Rio1608-D2 connects directly to Dante digital audio networks, allowing flexible system configuration. Dual power supply units are built in for high reliability, and a character/graphic display offers easy visual confirmation.

• 16 analog inputs and 8 outputs.
• Redundant connections are supported with primary and secondary connectors. Daisy chain connections are also supported.
• Comprehensive display and local control of gain and other parameters.
• Dual power supply units are built in for high reliability.
• Power consumption: 72W
• Dimensions (WxHxD): 480 x 132 x 368mm (18.9\\” x 5.2\\” x 14.5\\”)
• Net Weight: 9.6 kg (21.2 lbs)

This high-capacity, high-performance I/O rack is compatible with Yamaha CL and QL series consoles as well as the RIVAGE PM series. It features 32 analog inputs, 16 analog outputs, and eight digital AES/EBU outputs. The Rio3224-D2 connects directly to Dante digital audio networks, allowing flexible system configuration. Dual power supply units are built in for high reliability, and a character/graphic display offers easy visual confirmation.

• 32 analog inputs and 16 outputs, and 8 digital outputs.
• Redundant connections are supported with primary and secondary connectors. Daisy chain connections are also supported.
• Comprehensive display and local control of gain and other parameters.
• Dual power supply units are built in for high reliability.
• Power consumption: 120W
• Dimensions (WxHxD): 480 x 220 x 368mm (18.9\\” x 8.7\\” x 14.5\\”)
• Net Weight: 13.5 kg (29.8 lbs)

DiGiCo D Rack features 32 analogue inputs and 16 analogue outputs at 48 Khz, up to 28 input channels can be used at 96Khz.

IEC Power connection/cable supplied.

Console I/O is via CAT/5e up to 75m supplied optionally.

DiGiCo D2 Rack is configured with 48 analogue inputs and 24 analogue outputs, plus 4 x AES Output.

Full compliment of channels can be used at 48Khz, up to a maximum of 28 input channels at 96Khz on 2 cables.  4 cables will permit 48 channels at 96 Khz.

Supplied in wheeled slam rack together with 2 x 100m BNC cables.

MADI BNC DMI Cards available for S21, otherwise compatible with SD11B and SD12 with no additional cards.

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MVS Hazer

Flightcase of 2 units, price for pair.

The ADJ Fog Fury Jett Pro is a high velocity vertical Fog Machine that mixes color into the fog from 28x 3-Watt LEDs (6 Red, 7 Green, 6 Blue, 3 Amber & 6 UV LEDs). The Fog Fury Jett Pro produces a dry even blast of fog over 40 feet (12 meters) in the air. It has a special heating element design that uses an oil type transmission throughout the pipeline to prevent clogging. It is also equipped with a high performance Italian pump system for optimum output. ADJ’s Electronic Thermo Sensing (ETS) technology is on-board to maintain optimum heat levels with short warm-up time between fog blasts.

The Fog Fury Jett Pro may be use vertically or horizontally. The reservoir tank may be mounted in the front or rear of the unit so the machine may be pointed up or down. Control options included 3-pin and 5-pin DMX In/Out connections, ADJ’s WiFLY EXR wireless DMX on-board, plus the ADJ FFJWR wireless remote comes included in the box.

The Quartz is our smallest all-in-one console, with high quality hardware and an ultra bright touchscreen in a compact size that’s perfect for life on the road.

BlackBox F-1 G5

UP2 PRO 1 Channel Dimmer Pack

Supplied with stand, controller and carry-bag.

Designed to be an all-in-one lighting package, this Equinox system includes a robust stand, road bag, foot controller and 4 multi-colour LED Par panels fitted to a powered T-bar. The multidirectional par panels create a multitude of effects and are independently adjustable for maximum room or stage coverage. The foot controller gives instant and simple control over several control modes. With the convenience and ease of fast set-up and take-down this system is ideal for mobile entertainers.

– 4 x 30W tri-colour COB LEDs (RGB)
– Beam angle: 95°
– Beam angle with supplied lens: 30°
– 30° – 1,120 Lux @ 2m (per par, full on), 95° – 191 Lux @ 2m (per par, full on)
– DMX channels: 1/3/7/12 or 16 selectable
– Auto, sound active and master/slave modes plus built-in programs
– 0-100% dimming and variable strobe
– 4 push button menu with LED digital display
– 3-Pin XLR input/output
– 5-Pin input for included foot controller
– IEC power input
– 2 x IEC power outputs (unswitched)
– Height adjustable stand included
– Carry bag included
– All metal design
– Convection cooled

Freedom Stick Pack Includes: 4 Freedom Sticks, 1 Multi–Charger, 1 IRC-6 Remote and 1 Carrying Bag.

Freedom Stick is a unique and versatile free-standing RGB LED that can be pixel-mapped for ultimate programming creativity. This battery powered fixture has a built-in D-Fi receiver that allows it to be placed anywhere. The sticks also work excellently as truss warmers. A detachable metal base allows you to mount them on truss (clamps sold separately). User-customisable automated programs create complex looks in seconds. Additional control options include auto and sound programs via DMX, wireless master/slave or the IRC-6 remote.

Flightcase of 8 Units, price for 8 units.

Flightcased in 4 units, price for 4 units.

Q-Wash™ 419Z-LED is a moving yoke wash using 19 quad-colour RGBW LEDs each at 15-watts, fitted for the production, touring, theatrical, installation and corporate rental markets. It produces a full range of bold saturated colours and variable whites. Built-in colour macros and three individually controlled LED zones make for great visual effects. Q-Wash™ 419Z-LED is equipped with a smooth flicker-free dimming curve and a versatile 12.5- to 45-degree zoom, making it excellent for the demands of entertainment and installation production.

• RGBW quad-color LEDs

• Smooth zoom and pan/tilt movement

• 3 zones of LED control

• 16-bit control of master dimmer and individual colours

• Flicker-free operation Q

Flightcased in pairs, priced in pairs.

Flightcase of 4 units, price for 4 units.

Flightcase of 8 units, price for 8 units.

Rapid QB1 RGBA is a portable battery powered uplighter outputting ultra-smooth colours from rich saturated hues to subtle pastel shades. The compact and robust housing design makes this fixture extremely portable and easily concealable. The internal lithium battery has autonomy of up to 18 hours in single colour mode and up to 8 hours of colour fading and chases, while the charging time is only 5 hours. The light source is composed of 4 x 8W high-power RGBA LEDs and the extractable foot allows you to adjust the tilt angle. The on-board wireless DMX Receiver makes for a truly cable free operation and is W-DMX compatible.

– 4 x 8W quad-colour LEDs (RGBA)
– Beam angle: 15° (field angle: 29°)
– 1,551 Lux @ 2m
– 1.2kHz refresh rate
– DMX channels: 4/6 or 11 selectable
– Wireless control (W-DMX Sweden compatible transceiver)
– Static colour, colour change, colour fade, auto, sound active and master/slave modes
– 0-100% dimming and variable strobe
– M10 rigging point for clamp
– Adjustable foot support for angled floor standing applications (up to 25°)
– Carry handle for transportation
– Safety bond/security chain point
– 4 push button menu with LED display
– Rechargeable battery for wireless applications
– Maximum run time: up to 18 hours (single colour), 8 hours (colour change/fade), 4 hours (full on)
– Charging time: 5 hours (max.)
– IEC power input/output
– 3-Pin XLR input/output
– Convection cooled
– Supplied with IR remote

Spectra Par Q12B Exterior Fixture

Flightcase of 4 Units, price is for 4 units including barn doors, beam-shapers and top-hats.

Flightcase of 2 units, price for 2 units.

750W zoom profile lamp, requires dimmer & stand.

16A Plug attached to 1m Cable.

500w Zoom profile, requires dimmer and stand

16A Plug fitted to 1m cable.

Flightcase of 4 Units, price for 4 Units

The Wipeout 360 RGBW is an innovative concept and brings continuous rotating to LED Bars in a compact housing but still with a surprisingly high light output.
The Wipeout 360 RGBW is equipped with 4 RGBW LED’s. The special lenses ensuring tight and bright beams with a beam angle of just 3˚. Each pixel can controlled individually. The Wipeout RGBW can be controlled by DMX but can also run standalone, sound controlled or run master/slave.

Specifications
Light Source
LED System: 4 x 10W RGBW LEDs
Output@2m: 7000lux

Electrical
Power Supply: AC 100-240V 50/60 Hz
Power Consumption: 72W

Control
Control Mode: Auto/ build-in programs, Master/slave, DMX
DMX channels: 1, 22, 26ch

Optical system
Dimmer: 0-100%
Strobe: 0-20Hz
Beam Angle: 3°

Physical
Dimensions: 555 x 95 x 210 mm
Weight: 6,8 kg
Housing: black painted metal and ABS plastic
Color: Black
Power Connectors: Blue/White Power connector
Data Connectors: XLR 3&5 pole
Cooling: Convection

Safety
Operation temperature: -10~40°C
IP-Rating: IP-20

Black manual tripod stand with optional top components for T-Bar or TV-Spigot.

Classic Chrome finished tripod stand with Follow-Spot head – suitable for use with Vintage Blaze retro fixtures.

The Easylift from Doughty is a High Specification Wind Up Stand designed specifically to suit the demanding requirements of the entertainment industry.

Safety features include a twin cable lifting system, self braking winch and a unique secondary auto lock.

Lift Height: 3.80 m

SWL: 30 Kg

Fittings: Top Receiver accepts 16 & 28mm spigots plus a foldaway 16mm Spigot.

Weight: 22 Kg

Heavy Duty wind-Up stands with alternative top adaptors; Big-Ben (for use with 48mm Barrel or Truss Adaptors for use with Milos Trio or Similar Spec) Truss.

Heady Duty wind-up tripod loudspeaker stands, suitable for 12/15″ loudspeakers with 35mm spigot hole.

Price Quantity: 2 Units

A low level, narrow base, tripod loudspeaker stands suitable for 8″/10″ loudspeakers; e.g. QSC K8/K10 or Sennheiser LSP500

The K&M 21339 is an M20 threaded distance pole for mounting loudspeakers on top of sub-woofers; e.g d&b T10 on B8 or Y7P on V-Sub, or QSC 12.2 on K-Sub

The K&M 26735 provides a descreet alternative to a traditional tripod.  Suitable for smaller enclosures such as; QSC K8 or K10 and Sennheiser LSP500.

Price Quantity: 2 Units

Increase the stability of any 35mm spigot stand with the Ring-Lock adaptor.  Increases height with lockable collett to secure enclosures, reduce wobble, enhance appearance.

Price Quantity: 2 Units

Unshakable and Stalwart! This high quality, height adjustable distance rod is a guarantee for a secure, stable and quiet connection to satellite systems. The height is adjusted by an easy-to-use spring-loaded bolt and locking screw. The distance rod is connected to the subwoofer using the M20 threaded bolt. The unique patented expanding mandrel system provides a stable, tight and firm fit for satellite speakers. The movable plastic splints provide for a vibration-free connection between the rod and the speaker. Connecting the speaker is easy and is done using the handy ring lock – which is simply placed in position and screwed on.

Height: from 890 to 1,380 mm

Price Quantity: 2 Units

Excellent dynamics and low end response on the Audix D6 ideal for kick drum out applications and combines well with Shure beta91a inside.

Lavalier mic optimized for chest placement

• Excellent speech reproduction
• Discreet, compact design
• Fits both left and right buttoned shirts
• Delivered with both black and white pop filters
• Modular adapter system fits most professional wireless systems

While our miniature omnidirectional mics are ideal for situations where a broad pickup pattern is essential and off-axis noise is not a problem, in some challenging acoustic environments a directional microphone is the better choice. The 4080 Cardioid Lavalier captures the human voice with an unusually high degree of definition. This mic offers maximum side rejection and excellent sonic focus on the subject. It is designed for broadcast, conference and other live performances both in the studio and in the field.

Supplied with microdot connection, requires adaptor for XLR / 3.5mm / Sennheiser or Shure body-packs

Legendary sound – flexible headset

• Pristine audio quality
• Lightweight and flexible
• Easy mounting to the left or right
• Minimal visual impact
• Resistant to humidity
• Flexible adapter system fits most professional wireless systems

Combining the legendary sound of the 4088 Directional Capsule with the lightweight and DPA’s flexible headset system, the 4288 Directional Headset Microphone is ideal for both spoken word and vocal performance applications. It offers accurate and natural voice intelligibility and very high-SPL capabilities – users can both speak and sing into the mic with no hint of distortion.

Supplied with microdot connection. An adaptor is required for XLR / 3.5mm / Sennheiser or Shure Body-Packs.

Classic Neumann KMS105 cardioid condenser vocal microphone for rich, clear vocals

Clip on Tom Mic for micing rack/floor/snare drums

Sennheiser e614 is a condenser microphone suitable for instrument or drum overhead applications

Sennheiser e945 clip-on dynamic microphone for snare/tom applications

Sennheiser e906 is ideal for micing up guitar cabs or instruments where feedback rejection is key.

Super cardioid dynamic vocal microphone

Classic Kick Drum out applications, combines well with Beta91a inside.

The Shure Beta56a has a unique 90º attachment ideally suited for drum vocals or for Rack/Floor tom applications with the attachment clip

Shure Beta57a dynamic microphone for vocal and instrument applications.

Classic live vocal microphone, the Shure Beta 58 dynamic microphone has excellent feedback resistance for live on-stage use.

Shure Beta91a is a condenser boundary microphone for general boundary applications and one of the best internal kick-drum microphones.

High performance condenser microphones for instrument, piano, overhead applications.  Including stereo mounting bar.

The KSM9 is a cardioid condenser microphone for vocal applications

A fantastic alternative to the Shure beta58 or Sennheiser e945, the SOLO performs well on-stage with high feedback rejection with rich mids and great dynamics.

Classic tripod style multi-part boom stand for stage.

Classic Tripod Boom Stand, short for micing Cajon, Guitar Cabinets etc.

Extra low level tripod style boom mic stand for use with; Cajon or Kick Drum

Extra tall overhead style tripod boom microphone stand with heavy base and extended legs.

Suitable for use overhead drum kit mic’ing or Choir applications.

Round base straight microphone stand for vocal applications.

T10 loudspeaker

Line arrays / Point sources

2-way loudspeaker with rotatable horn for point and line source operation

• Components 2 x 6.5″/1.4″
• Dispersion 90° x 35° / 105°
• SPLmax 130 / 132 dB
• Weight 11 kg / 24 lb

Y7P loudspeaker

Point sources

High performance 2-way passive point source loudspeaker

• Components 2 x 8″/1.4″
• Dispersion 75° x 40°
• SPLmax 137 dB
• Weight 18 kg / 40 lb

Product description

The compact, 2-way passive Y7P loudspeaker features two 8” drivers in a dipole arrangement with a 1.4” compression driver mounted onto a rotatable CD horn. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 75° horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40°. The horn can be rotated by 90° to enable horizontal orientation. The Y7P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the Y-Series, either ground stacked or flown. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet incorporates a pair of handles whilst M10 threaded inserts are provided for attaching d&b rigging hardware. Additionally, two further M10 sockets accept the 8mm load pin to expand the mounting options.

Y10P loudspeaker

Point sources

High performance 2-way passive point source loudspeaker

• Components 2 x 8″/1.4″
• Dispersion 110° x 40°
• SPLmax 136 dB
• Weight 18 kg / 40 lb

Product description

The compact, 2-way passive Y10P loudspeaker features two 8” drivers in a dipole arrangement with a 1.4” compression driver mounted onto a rotatable CD horn. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 110° horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40°. The horn can be rotated by 90° to enable horizontal orientation. The Y10P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the Y-Series, either ground stacked or flown. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet incorporates a pair of handles whilst M10 threaded inserts are provided for attaching d&b rigging hardware. Additionally, two further M10 sockets accept the 8mm load pin to expand the mounting options.

V10P loudspeaker

Point sources

High performance 3-way passive point source loudspeaker

• Components 2 x 10″/8″/1.4″
• Dispersion 110° x 40°
• SPLmax 139 dB
• Weight 33 kg / 75 lb

Product description

The 3-way passive V10P loudspeaker features two 10“ drivers in a dipole arrangement with a horn loaded 8“ MF driver and a 1.4“ compression driver mounted onto a rotatable CD horn. The innovative horn design for the centrally mounted 8“ MF driver produces a remarkable sensitivity resulting in an exceptional performance in the vocal range. An advanced bass-reflex and venting design delivers an extended LF output with full bandwidth capabilities. All components are arranged symmetrically around the centre axis of the cabinet to produce a perfect symmetrical dispersion pattern. Due to the dipolar arrangement of the LF drivers, broadband dispersion control is maintained down to approximately 350 Hz in the same plane as the dipole. This point source, high performance loudspeaker offers 110° horizontal directivity matched with a vertical dispersion of 40°; the horn can be rotated by 90° to enable horizontal orientation. The V10P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the V-Series, either ground stacked or flown. The loudspeaker cabinet is constructed from marine plywood, and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill. The V10P cabinet incorporates a pair of handles. M10 threaded inserts are provided for attaching d&b rigging hardware. Additionally, three further M10 sockets accept the 8mm load pin to expand the mounting options.

V8 loudspeaker

Line arrays

High performance 3-way passive line array loudspeaker

• Components 2 x 10″/1 x 8″/2 x 1.4″
• Dispersion 80°
• SPLmax 142 dB
• Weight 34 kg / 75 lb

Product description

The V8 is a 3-way passive design housing 2 x 10″ LF drivers, one hornloaded 8″ MF driver and two 1.4″ exit HF compression drivers with 2.5″ voicecoils mounted to a dedicated waveshaping device. The symmetrical dipolar arrangement of the neodymium LF drivers around the centrally mounted coaxial MF and HF components allows a smooth overlap of the adjacent frequency bands in the crossover design. This results in an exceptional 80° horizontal constant directivity dispersion control nominally being maintained down to 250 Hz. The mechanical and acoustical design enables flown vertical arrays of up to twenty four loudspeakers. It can be used in columns of purely V8 loudspeakers or combined with V12s and / or with V-SUBs. The V8 cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates a handle, while two additional recessed grips are provided at the rear bottom of the cabinet.

V12 loudspeaker

Line arrays

High performance 3-way passive line array loudspeaker

• Components 2 x 10″/1 x 8″/2 x 1.4″
• Dispersion 120°
• SPLmax 142 dB
• Weight 34 kg / 75 lb

Product description

The V12 is a 3-way passive design housing 2 x 10″ LF drivers, one hornloaded 8″ MF driver and two 1.4″ exit HF compression drivers with 2.5″ voicecoils mounted to a dedicated waveshaping device. The symmetrical dipolar arrangement of the neodymium LF drivers around the centrally mounted coaxial MF and HF components allows a smooth overlap of the adjacent frequency bands in the crossover design. This results in an exceptional 120° horizontal constant directivity dispersion control nominally being maintained down to 250 Hz. The mechanical and acoustical design enables flown vertical arrays of up to twenty four loudspeakers. It can be used in columns of purely V12 loudspeakers or combined with V8s and / or with V-SUBs. The cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates a handle, while two additional recessed grips are provided at the rear bottom of the cabinet.

J8 loudspeaker

Line arrays

Large format 3-way line array loudspeaker

• Components
  2 x 12″/10″/2 x 1.4″
• Dispersion 80°
• SPLmax 145 dB
• Weight 60 kg / 132 lb

Product description

The J8 is a 3-way design housing 2 x 12″ LF drivers, one hornloaded 10″ MF driver and two 1.4″ exit HF compression drivers with 3″ voicecoils mounted to a dedicated waveshaping device. The mechanical and acoustical design enables flown vertical columns of up to 24 loudspeakers to be suspended using vertical splay angles between them of 0° to 7° with a 1° resolution. The cylindrical wave segments produced couple coherently in the vertical plane. Due to the dipolar arrangement of the neodymium LF drivers the exceptional 80° horizontal constant directivity dispersion control is nominally maintained down to 250 Hz. The J8 is acoustically and mechanically compatible with the J12 loudspeaker. It can be used in columns of purely J8 loudspeakers or combined with J12s and / or with J-SUBs. The J8 cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill, the side and rear panels incorporate four handles, and two NLT4F/M connectors wired in parallel are also mounted at the rear.

J12 loudspeaker

Line arrays

Large format 3-way line array loudspeaker

• Components
  2 x 12″/1 x 10″/2 x 1.4″
• Dispersion 120°
• SPLmax 143 dB
• Weight 60 kg / 132 lb

Product description

The J12 is a 3-way design housing 2 x 12″ LF drivers, one hornloaded 10″ MF driver and two 1.4″ exit HF compression drivers with 3″ voicecoils mounted to a dedicated waveshaping device. The mechanical and acoustical design enables flown vertical columns of up to 24 loudspeakers to be suspended using vertical splay angles between them of 0° to 7° with a 1° resolution. The cylindrical wave segments produced couple coherently in the vertical plane. Due to the dipolar arrangement of the neodymium LF drivers the exceptional 120° horizontal constant directivity dispersion control is nominally maintained down to 250 Hz. The J12 is acoustically and mechanically compatible to the J8 loudspeaker. It can be used in columns of purely J12 loudspeakers or combined with J8s and / or with J-SUBs. The J12 cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill, the side and rear panels incorporate four handles, and two NLT4F/M connectors wired in parallel are also mounted at the rear.

B8 subwoofer

Subwoofers

High performance ultra compact subwoofer

• Components 2 x 6.5″
• Dispersion omnidirectional
• SPL max 122 dB
• Weight 18 kg / 39 lb

Product description

The B8-SUB is an ultra compact subwoofer that pairs with the established d&b xC, xS and E-Series loudspeakers. The B8 features two 6.5” drivers housed within a bass-reflex cabinet design. Its low height makes it an ideal solution for small scale mobile applications that require an extended low frequency response while still achieving high Sound Pressure Levels. The frequency response extends from 43 Hz to 170 Hz. When operating in 100 Hz mode, the upper operating frequency of the subwoofer is reduced from 170 Hz to 125 Hz.

The B8-SUB can be flown either horizontally or vertically. The rear of the cabinet incorporates a handle and an M20 threaded flange in the top panel that accepts the d&b Z5013 Loudspeaker stand for the deployment of applicable d&b full range cabinets with a maximum top load of 8 kg (17.6 lb). Two M8 threaded inserts are incorporated, one on each side panel to allow the attachment of a dedicated flying bracket.

The enclosure is constructed from marine plywood with an impact resistant black paint finish. The front of the cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet is fitted with NLT4 F/M connectors.

V subwoofer

Subwoofers

High performance flyable cardioid subwoofer

• Components 18″/12″
• Dispersion Cardioid
• SPLmax 137 dB
• Weight 64 kg / 141 lb

Product description

The V-SUB is an actively driven high performance cardioid subwoofer powered by a single amplifier channel. The V-SUB features integrated rigging equipment, and shares the same acoustical and visual design as the V-GSUB, which is intended for ground stacked applications only. It houses two long excursion neodymium drivers, an 18″ driver in a bass-reflex design facing to the front and a 12″ driver in a two chamber bandpass design radiating to the rear. The cardioid dispersion pattern resulting from this approach avoids unwanted energy behind the system that reduces the reverberant field at low frequencies and provides the greatest accuracy of low frequency reproduction.

The V subwoofer can be used to supplement V8 and V12 loudspeakers in various combinations, ground stacked or flown, either integrated on top of a V8 / V12 array or as a separate column.

The V-SUB cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates two handles, whilst the top panel has an M20 high stand flange inserted.

J subwoofer

Large format flyable cardioid subwoofer

• Components 3 x 18″
• Dispersion Cardioid
• SPLmax 139 dB
• Weight 106 kg / 234 lb

Case of 2 units, price per pair

8020D Studio Monitor

Case of 2 unit, price per pair.

8030C Studio Monitor

Dimensions

H 299 x W 189 x D 178 mm, with Iso-Pod™

Flightcase of 2 Units, price per pair of 2 units.

QSC K8 Active PA Speaker, 1000 Watt Overview

The QSC K8 features an 8″ woofer with a nominal coverage angle of 105 degrees, great for small-medium sized venues. Weighing just 12.2kg, the speakers in the K Series are very light compared to similar competitors, but deliver excellent sound quality, making them perfect for situations where rigging/derigging or transportation is a big consideration. Multiple mounting and suspension options allow for a wide range of live and installed applications, and multiple input options make the K8 a very flexible PA system.

Flightcase of 2 Units, price per pair of 2 units.

QSC K10 Active Loudspeaker Key Features:

• 10” Woofer; 1.75” diaphragm compression driver
• 90 degrees conical DMT coverage
• Maximum SPL 129 dB peak
• Attractive and professional appearance
• Rugged ABS enclosures
• 16-gauge powder coated steel grille
• 1000-watt continuous Class D power modules in all models
• Functions as a monitor wedge
• Comfortable ergonomic handles
• 35 mm pole sockets with Tilt-Direct™
• M10 rigging points

QSC K10 Active Loudspeaker Specs:

• Configuration: Multipurpose 2-way
• Low-frequency Transducer: 10″ cone transducer
• High-frequency Transducer: 1.75″ diaphragm compression driver
• Frequency Response (-6 dB): 60 Hz – 18 kHz
• Frequency Range (-10 dB): 56 Hz – 20 kHz
• Nominal Coverage (-6 dB): 90° conical DMT
• Maximum SPL: 129 dB peak
• Amplifiers
• Power Output: 1000 W continuous Class D, (500 W LF, 500 W HF), 2000 W peak
• Input Impedance: XLR / ¼”: 40 kOhms balanced / 20 kOhms unbalanced, XLR / ¼” MIC mode: 2260Ohms balanced, RCA: 10 kOhms
• Controls: Power, Gain A, Gain B, Mic/Line, LF Mode (Ext Sub/Norm/DEEP™), HF Mode (Flat/Vocal Boost), Front LED (On/Off/Limit)
• Indicators: Power, Signal A, Signal B, Standby, Limit, Mic
• Connectors: Balanced female XLR/¼” line/mic level input, Balanced female XLR/¼” line level input, Dual Balanced male XLR full range line level out, Balanced male XLR “mix” out, Stereo RCA line level input, Remote gain control, Locking IEC power connector
• Cooling: On demand, 50 mm variable speed fan
• Amplifier Protection: Thermal limiting, output overcurrent, overtemperature muting, GuardRail™
• Transducer Protection: Thermal limiting, excursion limiting
• AC Power Input: Universal power supply 100–240 VAC, 50 to 60 Hz
• AC Power Consumption (1/8 of full power): 230 VAC, 1.13 A
• Enclosure
• Material: Impact resistant ABS
• Finish: Black paint
• Grille: Rugged powder-coated steel
• Dimensions (HWD) inches: 20.4 × 12.6 × 11.8
• Dimensions (HWD) mm: 519 x 320 x 300
• Weight (Net): 32 lb / 14.5 kg

Single Units in Tote Bags, price per unit.

QSC K-Sub Subwoofer Specifications:

• Amplifier Power Output: 1000 W Class D (500 W LF, 500 W HF)
• Material: Painted birch plywood
• Configuration: 4th Order Bandpass
• Transducers: 2 x 12″ cone transducers
• Frequency Response (-6 dB): 48Hz – 134kHz
• Frequency Range (-10 dB): 44Hz – 148kHz
• Max SPL (1 Meter): 130dB peak
• Input Impedance (ohms): XLR / ¼”: 40k balanced / 20k unbalanced
• Cooling: On demand, 50 mm variable speed fan
• Amplifier Protection: Thermal limiting, output overcurrent, overtemperature muting, GuardRail™
• Dimensions (HxWxD): 26″ x 14″ x 28.1″ (including casters) (665 mm x 356 mm x 714 mm)
• Weight: 74 lb / 33.6 kg

Designed to fit compact studios while fulfilling the demands of the most ambitious audio productions, the Genelec 7050B subwoofer is the ideal complement to the 8010 and 8020 monitors in both stereo and multichannel audio formats. Despite its space-saving dimensions, the subwoofer is built to meet 5.1 expectations, with five main inputs and an LFE channel with 85/120 Hz reproduction bandwidth selection. Low frequencies are extended down to 25 Hz, while Genelec’s Laminar Spiral Enclosure (LSE™) ensures unwavering precision and enhanced, colour-free low end capacity.

Deceptively compact, the Genelec 7050B subwoofer is the undeniably powerful, professional choice.

The LSP 500 PRO is a wireless two-way audio system for professional use. It has been designed to address audiences at indoor and outdoor events without the need of any power or audio cables. The LSP 500 PRO allows you to install up to three receivers for wireless microphones. You can also play music wirelessly via a Bluetooth connection. Alternatively, you can use the integrated media player to play music from your USB storage device. For larger events you can send the sum signal of one LSP 500 PRO via a wireless transmitter to other LSP 500 PRO devices. The LSP 500 PRO is remote controllable via iPad App or Windows Remote Control Software, which serves as a mixing console and permits the control of up to 20 LSP 500 PRO simultaneously.

Trolley Case of single units, price per unit.

• Optional Add Ons:
  Sennheiser EM500 Wireless Receiver & Handheld Microphone
  Sennheiser EM300 Wireless Transmitter & EM500 Wireless Receiver for 2nd Unit (Stereo Pair)
  Spare Batteries & Charger Unit

Rubber Box 63A 415v 3-Phase Supply Distribution Unit

Product Code: RUB270H4
Type 270H Box fitted with:
1 x 63A 415v 3PH+N+E Appliance Inlet
1 x 32A 415v 3PH+N+E Socket
3 x 32A 240v 1PH+N+E Sockets
6 x 16A 240v 1PH+N+E Sockets
1 x 63A TP MCB
1 x 63A 30ma 4 Pole RCD
1 x 32A TP MCB
3 x 32A SP MCBs
6 x 16A SP MCBs
1 x Set Incoming LEDs

32A 3-Phase Distro

Type 185H Box fitted with:

1 x 32A 415v 3PH+N+E Appliance Inlet
1 x 32A 415v 3PH+N+E Thru Socket (Unprotected)
3 x 32A 240v 1PH+N+E Sockets
3 x 16A 240v 1PH+N+E Sockets
3 x 32A 30ma DP RCBOs
3 x 16A SP MCBs
1 x Set Incoming LEDs

Rubber Box 63A 240v Supply Distribution Unit

Product Code: RUB2701

Type 270 Box fitted with:
1 x 63A 240v 1PH+N+E Appliance Inlet
3 x 32A 240v 1PH+N+E Sockets
7 x 16A 240v 1PH+N+E Sockets
1 x 63A DP MCB
1 x 63A 30ma DP RCD
3 x 32A SP MCBs
7 x 16A SP MCBs
1 x Set Incoming LEDs

Triangle Box fitted with:

• 1 x 32A 240v 1PH+N+E Appliance Inlet
• 8 x 16A 240v 1PH+N+E Angled Sockets
• 1 x 32A 30ma DP RCBO
• 8 x 16A SP MCBs

Rubbber Box Cube04 Box fitted with:
1 x 32A 240v 1PH+N+E Appliance Inlet
2 x 16A 240v 1PH+N+E Sockets
2 x 13A 240v 1PH+N+E Sockets
1 x 32A 30ma DP RCBO
2 x 16A SP MCBs

5,500 Lumen Projector with standard motorised zoom lens 1.8 – 2.4:1 ratio

Optional lens: Panasonic ET-DLE050 Fixed Angle Short Throw Lens 0.8:1

Inputs:  DVI-HDMI / RGB

Ultra-Short throw desktop projector 2,500 lumens.

Input: HDMI / RGB

Adjustable Unicol projector trolley;

Optional table platforms;
small = sanyo wl2500 or equivalent
large = panasonic ptdw5100 or equivalent

Optional telescopic columns;
small = 64 – 84 cms
large = 84 – 128cms

Please specify options required.

Large format HD display on twin column stand ideal for corporate, presentation and conference/meeting applications.

Variety of inputs including HDMI, DisplayPort etc.

Supports FULL HD 1080p resolution.  65″ , single flightcase, two-man lift.

Suitable for Screens above 70\” with universal mount.

***Requires Unicol TCAVT Heavy Duty Stand and at least 2 people and large van to transport & install

Connectivity
Aerial Input (RF) Yes
Common Interface (CI) Yes
Digital Optical Output Yes
HDMI ARC (Audio Return Channel) Yes
HDMI Input 3
Internet Connection WiFi and Ethernet
Satellite Input (LNB) Yes
USB Input 2

Doughty Tank Trap base for 48mm Aluminium Barrel.

Annodised Black Aluminium Barrel 48mm x 1m

Annodised Black Aluminium Barrel 48mm x 2m

Annodised Black Aluminium Barrel 48mm x 3m

Complete U-Frame Assembly on Wheeled Base comprising;

1 x Wheeled Base Units 500mm W
3 x F31PL 760mm H x 500mm W
1 x F31PL 420m H x 500mm W

Options:

Height can be tailored by varying the quantity of the U-Frames installed together (Combinations)

Boom Arm (250mm or 500mm)

Top Bridge 1000mm span to link two units together for structural integrity or to attach a fixture that exceeds the 500mm width (e.g. Chauvet RH1 or Polar 300 Hybrids)

Finish: Black Annodised.

Flightcase of 2 units, price per pair.

Tote Bag – individual

M4 stage monitor

Stage Monitors

2-way stage monitor

• Components 15″/1.3″
• Dispersion 50° x 70° rotatable
• SPLmax 140 dB
• Weight 20 kg / 44 lb

Product description

The M4 is a 2-way high performance stage monitor employing an integrated 15” LF and 1.3” exit horn loaded HF coaxial driver design that utilizes neodymium magnets. The constant directivity dispersion of 50° x 70° (h x v), which this unique horn provides, delivers an accurately defined coverage area on stage. The M4 can also be operated in 2-Way Active mode. When the cabinet is used in an upright position the M4 serves as a powerful PA loudspeaker with a 70° x 50° dispersion suitable for a variety of applications. For dedicated installation applications the dispersion characteristics of the M4 driver assembly can be rotated in 45° increments. The M4 cabinet is constructed from marine plywood, which incorporates the handles, has an impact resistant paint finish, M10 threaded inserts and a socket to accept loudspeaker stands. The front of the loudspeaker cabinet is protected by a rigid metal grill backed with an acoustically transparent foam. Two runners recessed in the bottom panel protect the cabinet from scratching and prevents movement.

Versatile Multi-Format Vision Mixer/

with 4 x 3G HD-SDI Inputs or 4 x HDMI 0r 2 x VGA and combinations up to 4 live switching channels.

Multi-Format design means that each individual input can be of its own native resolution and the Roland VR-50HD will normalise and up/down/cross scale to suit the user defined output resolution.

AN ALL-IN-ONE HD MULTI-FORMAT AV MIXER WITH BUILT-IN USB 3.0 FOR WEB STREAMING AND RECORDING

A complete portable HD studio in a single unit. Single-person operation of sound and picture using faders, buttons and touch screen. The Roland VR-50HD all-in-one AV mixer beautifully integrates an audio mixer, video switcher, multi-viewer touch screen and USB video/audio streaming into a stand-alone device. This single unit delivers functionality that until now required a number of peripheral devices to accomplish. This portable live HD production solution** is ideal for schools, churches, council meetings, corporate events, sports, trainings, or any other live event.

** Requires Software or Hardware Encoder – NOT INCLUDED **

Roland VC-300HD Video Converter & Audio Embedder 1U

Multi-format In/Multi-format Out

Designed for a wide range of workflows in mid, post and live video productions, the VC Series offers flexible format conversion of Digital/Analog, HD/SD or compressed/uncompressed signals. The VC series also accepts signals and direct connections from computer RGB sources. A wide variety of output devices like record decks, data projectors or plasma/LCD displays can be directly connected.
– – –
Main Features

Designed for the Highest Quality Image 4:4:4
The VC Series uses high quality A/D and D/A converters for input and output along with internal 4:4:4 10 bit signal processing. From simple format conversion to MPEG encode/decode to complex frame rate conversions, the VC Series delivers professional results.

Compatible with HDV devices
Compatible with wide variety of HDV cameras and VTR’s from Sony, Canon and JVC, the VC Series offers a high quality processor for encoding and decoding HDV in real-time. Roland’s audio technology also makes simultaneous processing of the audio signal possible.

Supports 24p Frame Rates
Cinema frame rates like 24p and 23.98p are now supported to enable conversion of footage shot with a variety of cameras. Supported frame rates vary depending on Input/Output terminals.

4-Point Gamma Correction
The newly added 4 points Gamma Correct function enables adjustment of
bright/dark part independently. Enhances images to have a more film-like color.

Image Quality
Carefully optimized algorithm of the built-in scaler has resulted in further improvements in the the image quality of the VC. Highly accurate processing is achieved in all types of conversion – up, down and cross conversion.

You can select the SDI (HD/SD) output to be pre-processor or post-processor.
This enables a monitor output or split output capability.

Copy Protection on i.LINK output
You can add CGMS-D (Copy Generation Management System – Digital) to the output signal. This enables limitation to copy of digital content.

You can now remotely control parameter setup of the VC from external devices, like a PC, via RS-422A Remote Terminal. This can be also used for parameter data backup.

User Presets
Parameters like input signal, conversion or processing can be saved to an internal memory. Up to 3 presets can be saved and enables convenient recall.

Auto format detection and simultaneous output from multiple terminals
The VC 300HD/VC-200HD features automatic detection of the input source and simultaneous output of the converted signal to multiple terminals such as SDI, IEEE 1394, DVI and analog component. This enables the recording or display of a single source to multiple recording devices or displays.

Bi-directional conversion and scaling
Bi-directional conversion of different formats including 59.94p, 50i, etc. are possible with the VC Series. Multiple resolutions like 480i/p,720p or 1080i can be input/output along with NTSC/PAL conversion.

Gen lock with external devices
The input and output to and from the VC series can be gen-locked with external devices. The VC supports variety of sync signals including analog BB, Bi-level (SD) or Tri-level (HD). The VC Series’ built-in frame synchronizer helps to lock signals from consumer products or computers.

Time code and embedded audio
When performing HD-SDI/SDI <> HDV/DV conversion, the VC Series can pass the original time code and audio stream signals. The audio embedded in the HD-SDI or SDI signal can be separated and sent from the analog outputs. The VC Series can embed audio from the analog inputs to the
HD-SDI/SDI or HDV/DV signal.

Audio Delay Function
Audio can be precisely delayed by milliseconds or frames to compensate for the video delay caused by frame synchronizing or conversion processing. The Audio Delay function makes the perfect “lip sync” possible.

– – –
OUTPUT FORMATS
HDV(1080i)
HDV(720p)
DV
COMPONENT
DVI
HD-SDI
SD-SDI
– – –
INPUT FORMATS
HDV(1080i)
HDV(720p)
DV
COMPONENT
DVI
HD-SDI
SD-SDI

• VC-300HD/VC-200HD • VC-300HD only
0dBu=0.775Vrms * VC-300HD Only

– – –

Use the VC-300HD when your input sources include more than just SDI – including DVI-D, DVI-A, and Component. In addition you can also scale to a different frame size including 1080, 720, NTSC, and PAL as well change frame rates (including 24p). For sources other than SDI you can also embed audio into the digital stream and the VC-300HD allows you to delay the audio by fractions of milliseconds or frames to ensure that perfect lip sync.

Single channel of wireless CH38 receiver with either;

SKM100-835 Wireless Handheld Transmitter
OR
SK 300 G4 Wireless Bodypack Transmitter (excludes microphone)

Supplied with 2 x AA batteries, 5m XLR Cable, 2 x local ‘twig’ antennas, PSU, Carry Case.

A custom built 3U rack with the following components;

4 x Sennheiser EM-300-500 G4 Wireless Receivers
1 x Sennheiser ASA-214 Antenna Combiner
1 x Ethernet Switch inbuilt with exposed network connections on rear panel for use with WSM
1 x Powercon to 13A Power inlet cable. (link thru also available by request)
1 x 4 -Way 3m XLR Loom (connections are all exposed on the rear of the rack panel)
2 x Omni or Directional antenna paddles (please specify your requirements)
2 x 10m 50Ω BNC cables
1 x 3U Rack and Carry Case

4 x SKM100-835 Handheld Microphones
OR
4 x SK300 Bodypack Transmitters (excluding microphones)
OR
Any Combination totalling 4.

All battery operated units will have fresh batteries fitted, plus a box of 10 AA batteries will be provided.

A custom built 3U rack comprising;

4 x EM300 IEM Transmitters
1 x AC3 Antenna Combiner
1 x Ethernet Switch with exposed connectors on rear panel, for use with WSM
1 x PowerCon to 13A Inlet supply cable (Link thru cable supplied on request)
1 x 3U Rack and Carry Case

4 x EK300 G4 Body-pack Receivers (excludes ear buds for hygeine, health and fitting effectiveness )
*** We can supply ear buds on a supply/sale basis only ***  – just let us know!

Additional body-packs are available as multiple packs can be used on each transmitting channel.  e.g. a 6-piece band could have a 4-way mix with this system but have 6 or more packs with mixes shared..

All battery operated units will have fresh batteries fitted, plus a box of 10 AA batteries will be provided.

SK 300 G4 Wireless bodypack transmitters is compatible with G3/G4 EM300-500 Receivers

Sennheiser EK300 IEM Bodypack Receiver is compatible with G3/G4 EW300-500 IEM systems.

Multiple EK300 may be used for each channel of transmitter.

Sennheiser 100 series wireless transmitter fitted with 835 dynamic capsule.

Excellent for general speech and announcement applications.

Sennheiser SKM 300 Series wireless handheld transmitter fitted with Mute switch on the casing and 835 dynamic capsule.

Ideal for general speech and announcement applications where user control of the mute switch is required.

Sennheiser SKM500 Series handheld wireless transmitter fitted with the 900 series 935 capsule for improved clarity and dynamics.

Suitable for speech, announcement and live stage vocal applications.

Sennheiser 500 Series handheld transmitter fitted with 945 Capsule for rich mids, vocals and improved dynamic clarity with super cardioid pattern.

Ideal for live stage vocal applications, speech and general announcements.

Sennheiser SKM500 Series G4 wireless handheld transmitter, excluding capsule, can be fitted with a variety of options;

Sennheiser 835 Dynamic Capsule – Speech

Sennheiser 935 Dynamic Capsule – Speech

Sennheiser 945 Dynamic Capsule – Speech, Live Vocals

Neumann KK205 Condenser Capsule – Live Vocals

Neumann KK205 Capsule for Sennheiser SKM500 G4 ONLY / 6000 Series Wireless Handheld Microphones