All prices are Day Rates, Weekend Rates (2xDayRate) and Week Rates (3 x Day Rate) apply. Long term rentals please ask!
Trade production cross-rental discounts available.
Please note All prices exclude VAT at prevailing rates
CALL US ON: 0845 867 5679 or 01373 888 335 with any questions or Email us here.
Hiring is subject to contract and terms and conditions, available here.
D20 amplifier
Four channel amplifier
- Maximum output power
4 x 1600 W into 4 Ω - All current d&b loudspeaker
setups except J-Series, M2, SL-Series - Display Colour TFT touchscreen, 3.5″/320 x 240 pixel
The 2 RU four channel D20 amplifier is ideally suited to mobile and installation applications which require low to medium Sound Pressure Level (SPL) capabilities. The D20 features the same Digital Signal Processing (DSP) platform as the latest generation of d&b amplifiers, containing configurations for all d&b loudspeakers except the J-Series and the M2 monitor, plus a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft), which can be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D20 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen are tilted up for easy operation when the amplifier is below eye level. The equal ratio of signal input to amplifier output channels increases application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D20 amplifier electrically compensates for the properties of loudspeaker cable used. The D20 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V – 240 V, 50 – 60 Hz and maintains a stable output when used with weak or unstable mains supplies. An NL8 provides all outputs on a single connector for loudspeaker multicores. Dual channel mode is driven through four individual NL4 connectors, while Mix TOP/SUB and 2-Way Active mode output configurations for applicable d&b loudspeakers are available via two central NL4 connectors. etherCON and RJ 45 connectors enable access to the d&b Remote network through OCA/AES70 via Ethernet and through CAN-Bus respectively.
D80 amplifier
High power four channel amplifier
- Maximum output power
4 x 4000 W into 4 Ω - All current d&b loudspeaker setups
- Display Colour TFT touchscreen, 3.5″/320 x 240 pixel
The 2 RU four channel D80 amplifier is a high power density amplifier, ideally suited for use in both mobile and installation environments. It contains configurations for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft) to be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D80 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen of the D80 amplifier is tilted up for ease of operation when the amplifier is below eye level. The equal ratio of signal input to amplifier output channels increases the application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D80 amplifier enables the electrical compensation of loudspeaker cable properties, without the need for an extra conductor. This results in an increased accuracy of audio reproduction over a bandwidth of up to 20 kHz, preserving the tonal balance when cable lengths of up to 70 m (230 ft) are used. The D80 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V/120 V/200 V/230 V, 50 – 60 Hz and maintains a stable output when used with weak or unstable mains supplies. An NL8 provides all outputs on a single connector, while individual outputs are optionally NL4 or EP5 connectors. RJ 45 and etherCON connectors enable access to the d&b Remote network via CAN-Bus and OCA/AES70 via Ethernet respectively.
FFA four channel amplifiers
Full power delivery all channels driven simultaneously loaded 4 ohms. Very useful and versatile multimode amplifiers, suited for large scale touring point source or line array systems. Equally suited in less demanding bass applications. Very installation friendly and ideal for bi amp stage monitoring systems or multi point theatre installations. Proprietary high efficiency FFA Class D output stage coupled with high current switch mode supply enables high power delivery even in the harshest environmental conditions.
A practical transparent screen 2m High x 1.2m Wide on a lockable wheeled frame for on-stage vocalists in accordance with government guidance for Covid/19 returning live events.
Packed in a neat gig bag for on-site assembly, the gig-screen is sanitised and cleaned after each use so you can be assured of a safe performance.
Applications:
- Vocal Screen
- Brass Section Screen
- FOH / Monitor Screen
Industry leading classic DI for stage. Mono balanced XLR input and Output, 1/4″ TRS Input with Link through.
Powered by PP3 9V battery or Phantom +48v power from your line system.
DiGiCo’s Little Blue Box allows users to share a DiGiCo D-Rack between a console with a CAT5 rack connection and up to 2 MADI based consoles.
The SD9 / MADI switch allows you to select which console is the main console controlling the gains and the outputs; in SD9 mode the CAT5 connected console is in control, and in MADI mode the MADI connected console controls the gains and the D-Rack outputs. The secondary console in each setup acts as a receive only console, receiving the inputs from the rack as a split, with the option of using DiGiCo’s Gain Tracking system.
The Console Rx. Auxiliary output provides an additional MADI split output which can be connected to any MADI console or even straight to a MADI Multitrack recording computer via a DiGiCo UBMADI or DiGiGrid MGB.
The Little Blue Box is powered via USB, with a second USB port acting as a thru.
DiGiCo’s Little Red Box allows users to share a DiGiCo D-Rack between 2 DiGiCo consoles that support our CAT5 rack connection.
The D-Rack only has a single CAT5 console connection, with no built-in way of sharing the rack. The Little Red Box, however, will allow you to plug in your D-Rack into both your main console and a secondary console. The main console controls all the gains, as well as outputs on the rack, whilst the secondary console acts as a ‘receive only’ module for the inputs. This rack sharing setup is perfect for operating a Front of House and Monitors configuration. DiGiCo’s Gain Tracking system can also be activated when required.
The handy SPLIT MADI switch allows you to decide if you want to split a D-Rack or one of DiGiCo’s MADI based racks. While the D-Rack CAT5 rack connection on a console is usually limited to 32 inputs and 16 outputs, the Little Red Box allows a full 56 I/O to be used when a MADI rack is connected; a great way of expanding the I/O capabilities of the CAT5 port on your SD9, SD11 or S-Series console.
Audio over IP is becoming more and more sought after, due to the fact that it works over a standard IP network and can be sent over pre-installed infrastructure. Developed by Audinate in 2006, Dante provides uncompressed, low latency, multi-channel digital audio over IP and is a popular choice of protocol.
DiGiCo offer a Dante interface that allows 64 channels in and 64 channels out at 48kHz, and 32 channels in and out at 96kHz. The DMI-DANTE has a Primary and a Secondary port, both of which are Ethercon ports. The card has two modes that can be changed in Dante Controller. In Switched Mode, the ports are switched together. In redundant mode, the ports work as a redundant pair with separate IP addresses so that if the primary connection fails, the secondary connection will take over.
Main Features
- 2 Ethercon ports
- Switched mode switches the ports together
- Redundant mode allows the ports to work as a redundant pair
- 64 channels in and 64 channels out at 48kHz
- 32 channels in and 32 channels out at 96kHz
MADI (Multichannel Audio Digital Interface) is arguably one of the most popular protocols for transmitting high channel counts in professional audio. This is partially due to its ease of use, and the ability for cables to be run long lengths with minimal signal loss. Originally only capable of transmitting 56 channels, MADI is now capable of transmitting up to 64 channels.
DiGiCo offers two MADI DMI cards, each with different connector types. Both the MADI-B (BNC) and the MADI-C (RJ45) cards can be used to connect up to 64 channels of audio in and out at both 48kHz and 96kHz. At 48kHz, the B connection can be used as a redundant audio stream. Should the A stream fail during use, the B stream will seamlessly take over. At 96kHz, the B connection must be connected to provide the full channel count.
Main Features
- 75Ω Coaxial (BNC) connections
- 64 channels in and out and 48kHz and 96kHz
- Redundancy if working at 48kHz
- For use with any standard BNC MADI audio device
MADI (Multichannel Audio Digital Interface) is arguably one of the most popular protocols for transmitting high channel counts in professional audio. This is partially due to its ease of use, and the ability for cables to be run long lengths with minimal signal loss. Originally only capable of transmitting 56 channels, MADI is now capable of transmitting up to 64 channels.
DiGiCo offers two MADI DMI cards, each with different connector types. Both the MADI-B (BNC) and the MADI-C (RJ45) cards can be used to connect up to 64 channels of audio in and out at both 48kHz and 96kHz. At 48kHz, the B connection can be used as a redundant audio stream. Should the A stream fail during use, the B stream will seamlessly take over. At 96kHz, the B connection must be connected to provide the full channel count.
Main Features
- RJ45 connection
- 64 channels in and out at 48kHz and 96kHz
- Redundancy if working at 48kHz
- Only for use with DiGiCo audio over Cat5 devices
- Internal switches to determine whether connected to a console or a rack
Audio over IP is becoming more and more sought after, due to the fact that it works over a standard IP network and can be sent over pre-installed infrastructure. Developed by Audinate in 2006, Dante provides uncompressed, low latency, multi-channel digital audio over IP and is a popular choice of protocol.
The DiGiCo DMI-DANTE64@96 allows 64 channels in and 64 channels out at both 48kHz and 96kHz. It has a Primary and a Secondary port, both of which are Ethercon ports, and an RJ45 Control port. The card has two modes that can be changed in Dante Controller. In Switched Mode, the three ports are switched together. In redundant mode, the Control and Primary ports shall be switched together and work as a redundant pair with the Secondary port, each having separate IP addresses so that if the primary connection fails, the secondary connection will take over.
Main Features
- 2 EtherCON Ports
- 1 RJ45 Port
- Switched mode switches the ports together
- Redundant mode allows the ports to work as a redundant pair
- Inbuilt SRC between 48kHz and 96kHz
Compact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems.
- 17 motor faders (16 channels + 1 master)
- 40 input mixing channels (32 mono + 2 stereo + 2 return)
- 20 Aux buses (8 mono + 6 stereo) + Stereo + Sub
- 8 DCA groups with Roll-out
- 16 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs
- 16 analog XLR outputs
- 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device
- 8 Effects and 10 GEQ
- 1 expansion slot for NY64-D audio interface card (Supplied)
16 + 2 fader configuration in a compact, rack mountable unit.
- Mix channels: 32 mono, 8 stereo.
- Busses: 16 mix, 8 matrix (Input to Matrix supported).
- Local I/O: 16 in, 8 out.
- Fader configuration: 16 + 2 (Master).
- Compatible with RIO-3224D2 or RIO-1608D2 Stage Racks via CAT5e (up to 100m)
S21 : Overview
DiGiCo’s world-renowned innovation, deep feature-set and flagship audio quality of our high-end digital consoles is within reach of everyone. How? Meet the S21 – a world-class DiGiCo mixing console at an astonishing price.
Step up to the S21’s worksurface, complete with dual P-CAP multi-touch screens, 48 flexi-channels, the equivalent of 46 buses and benchmark 96kHz performance, and this console’s heritage is clear – the S21 is every inch a DiGiCo desk. It’s also a revelation in terms of what an introductory digital console can deliver.
Based on the same pioneering design approach as the industry-leading SD series, the S21 boasts the same proprietary audio algorithms plus a new ARM QuadCore RISC processor which runs in harmony with the FPGA core. The result is faster processing with lower power consumption, all packaged in the workflow that the industry’s most respected engineers rely upon – now available to everyone.
Under the Hood
Familiar to the touch and built for the road, the S21 offers mixing without limits. The integration of a high power QuadCore SoC with high bandwidth memory, a low power 484-ball array FPGA and a fourth-generation control SHARC DSP offers unprecedented power today as well as the potential for a future processing upgrade path. The compact footprint of the S21 has no relationship to the scale of processing power going on under the polycarbonate worksurface.
The two touchscreens each provide 10 channel strips, giving not only clear visual feedback and control of 20 simultaneous channels for a single user, but also the possibility when mixing large shows for more than one operator to take advantage of the newly designed drag, swipe and drop feature that simplifies custom fader layouts.
Visual feedback is further reinforced by the HTL (Hidden Till Lit) functionality of the encoder rings, while parameters currently not in use are automatically greyed out, always drawing your attention to the right controls.
The dual screen concept aims to aid the new user learning curve and remove distractions by not only giving you more channels to view at any one time, but also allowing one screen to be used as a setup or master whilst the other is utilised for operation. Both touchscreens are responsive to EQ shaping, with fine-tuning available via the tactile and intuitive rotary encoders.
Altering the Channel Bank layout, and mixing and matching any channel, aux, group, control group, or matrix within a bank, is easily accomplished by drag and drop at the touch of a screen.
I/O
The S21’s local I/O section includes 24 mic/line inputs, 12 line outs, two mono AES/EBU, and two DMI (DiGiCo Multichannel Interface) card slots which interface to standard industry formats such as Analogue, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network.
The console connects seamlessly with the DiGiCo remote I/O D-Rack providing an additional 32 inputs and up to 16 outputs.
Yamaha TIO1608D provides expansion for the TF range of consoles and connect by Dante CAT5/e (up to 100m) to the NY-64D card fitted in the TF Console.
Up to 3 TIO1608D can be daisy chained on a single line.
Each TIO1608D provides 16 analogue inputs and 8 analogue outputs at 48Khz.
This high-performance I/O rack features 16 analog inputs and 8 analog outputs, and is compatible with Yamaha CL and QL series consoles as well as the RIVAGE PM series. The Rio1608-D2 connects directly to Dante digital audio networks, allowing flexible system configuration. Dual power supply units are built in for high reliability, and a character/graphic display offers easy visual confirmation.
- 16 analog inputs and 8 outputs.
- Redundant connections are supported with primary and secondary connectors. Daisy chain connections are also supported.
- Comprehensive display and local control of gain and other parameters.
- Dual power supply units are built in for high reliability.
- Power consumption: 72W
- Dimensions (WxHxD): 480 x 132 x 368mm (18.9\” x 5.2\” x 14.5\”)
- Net Weight: 9.6 kg (21.2 lbs)
This high-capacity, high-performance I/O rack is compatible with Yamaha CL and QL series consoles as well as the RIVAGE PM series. It features 32 analog inputs, 16 analog outputs, and eight digital AES/EBU outputs. The Rio3224-D2 connects directly to Dante digital audio networks, allowing flexible system configuration. Dual power supply units are built in for high reliability, and a character/graphic display offers easy visual confirmation.
- 32 analog inputs and 16 outputs, and 8 digital outputs.
- Redundant connections are supported with primary and secondary connectors. Daisy chain connections are also supported.
- Comprehensive display and local control of gain and other parameters.
- Dual power supply units are built in for high reliability.
- Power consumption: 120W
- Dimensions (WxHxD): 480 x 220 x 368mm (18.9\” x 8.7\” x 14.5\”)
- Net Weight: 13.5 kg (29.8 lbs)
DiGiCo D Rack features 32 analogue inputs and 16 analogue outputs at 48 Khz, up to 28 input channels can be used at 96Khz.
IEC Power connection/cable supplied.
Console I/O is via CAT/5e up to 75m supplied optionally.
DiGiCo D2 Rack is configured with 48 analogue inputs and 24 analogue outputs, plus 4 x AES Output.
Full compliment of channels can be used at 48Khz, up to a maximum of 28 input channels at 96Khz on 2 cables. 4 cables will permit 48 channels at 96 Khz.
Supplied in wheeled slam rack together with 2 x 100m BNC cables.
MADI BNC DMI Cards available for S21, otherwise compatible with SD11B and SD12 with no additional cards.
Flightcase of 2 units, price for pair.
The ADJ Fog Fury Jett Pro is a high velocity vertical Fog Machine that mixes color into the fog from 28x 3-Watt LEDs (6 Red, 7 Green, 6 Blue, 3 Amber & 6 UV LEDs). The Fog Fury Jett Pro produces a dry even blast of fog over 40 feet (12 meters) in the air. It has a special heating element design that uses an oil type transmission throughout the pipeline to prevent clogging. It is also equipped with a high performance Italian pump system for optimum output. ADJ’s Electronic Thermo Sensing (ETS) technology is on-board to maintain optimum heat levels with short warm-up time between fog blasts.
The Fog Fury Jett Pro may be use vertically or horizontally. The reservoir tank may be mounted in the front or rear of the unit so the machine may be pointed up or down. Control options included 3-pin and 5-pin DMX In/Out connections, ADJ’s WiFLY EXR wireless DMX on-board, plus the ADJ FFJWR wireless remote comes included in the box.
MVS Hazer
Geared towards small to large sized venues, the MVS is powerful and versatile. Two variable speed high power fans can be used to control the force and direction of the haze stream. There is even an oscillating mode for automated back and forth sweeping of the stream. Variable haze density, onboard DMX, and the ability to position the unit at any angle combine to form the most complete feature set of the Le Maitre hazer line.
FEATURES INCLUDE
- Dual high power variable speed fans
- Sweeping haze projection
- Low fluid consumption:3cc/hr – 80cc/hr (800hrs/2.5L to 30hrs/2.5L bottle)
- Average fluid consumption 65hrs/2.5L
- Onboard DMX 512 support
- Can operate in any position
- Includes a rugged, storable multi-function mounting bracket
- Low power consumption
- Automatic self-cleaning upon power-up
Alphapack 3
Alphapack 3 is a three channel portable dimmer unit, which can be safely secured to a vertical or horizontal bar by adding a standard clamp onto one of two M10 mounting positions, or attached to a wall with the use of an additional mounting bracket (sold seperately). One of our most popular dimmers, the Alphapack finds uses in all areas of the lighting industry. Rental, display, education, event services and live music users have all found the Alphapack to be a perfect solution. The local fader controls make the Alphapack 3 ideal for ‘fit and forget’ situations, as well as allowing use as a follow spot dimmer.
This compact and rugged unit has three faders for local control, or can be controlled remotely via DMX as part of a larger lighting system, providing maximum flexibility for a great price.
A unique safety system and overload protection circuit means that the Alphapack 3 provides an extremely safe and reliable solution to small dimming applications, never allowing the dimmer loads to draw more current than is available from the supply.
Features
- Three 6.3 Amp channels
- Three fader Local Control
- Autoprotect Overload
- DMX Control (addressable to any channel)
- M10 threaded mounting holes on top and rear
- Safety bond connection
- Optional wall mount bracket
- Dimensions: 85(H) x 240(W) x 315mm(D)
- Weight: 3.5Kg / 8.0lb
- CE compliant to all relevant standards
- Designed and manufactured to ISO9001:2015 standards
UP2 PRO 1 Channel Dimmer Pack
This convection cooled dimmer comes with an external remote HTP fader. These dimmers are perfect for using with standalone fixtures in small studios, for follow spots or for incorporating into and expanding DMX systems. Suitable for use with non-incandescent loads when used as a switch pack. W-DMX on board to receive wireless DMX, this unit can then relay the DMX signal via the XLR output.
– Compact, 1 channel DMX/HTP dimmer pack
– W-DMX on board to receive wireless DMX and relay the DMX signal via the XLR output
– 2.4GHz G3, G4 and G5 compatible
– Dim preset – Dim limiter
– HTP function
– Remote fader included
– Can be configured as a switch pack
– Easy-to-use mounting bracket
– PowerCON input
– 5-Pin XLR input/output
– Output connector: 16A
– Maximum output: 10A (resistive load)
– Trailing edge dimming technology
BlackBox F-1 G5
PERFORMANCE
- Transmitter & Receiver modes
- Up to 700 meters / 2,200 feet
- 512 DMX channels or 1,024 in Double-Up mode
TECHNICAL SPECIFICATIONS
- W-DMX™ G5 Protocol
- 2.4 GHz, 5.2 GHz & 5.8 GHz
- DMX, RDM
- Art-Net & s/ACN (optional)
- Adaptive Frequency Hopping
- Data-Safe
- Double-Up universes
- Backward compatible with G3 and G4S
- Compatible with OEM products
Quartz
The Quartz is our smallest all-in-one console, with high quality hardware and an ultra bright touchscreen in a compact size that’s perfect for life on the road.
- 16 Universes of DMX from the console
- Expandable with Titan Net Processor up to 64 universes
- 10 precision playback faders
- 12.1″ angled touch screen with brightness control
Flightcased in pairs, priced in pairs.
Rogue RH1 Hybrid
Rogue RH1 Hybrid beam and spot possesses an unrivaled optical system with 8-facet and 6-facet prisms that are completely layerable and controllable. Powered by a 330 W Osram Sirius lamp, Rogue RH1 Hybrid delivers an ultra-intense output of 111,000 lux @ 15 m with tight beam angles of 2.5º – 8° in Beam mode and a zoom range of 5 – 19° in Spot mode and 18° – 38° in Wash mode. Indexing and static scrolling gobo wheels and a 13-hue color wheel add to the stunning visual effects that this amazing tool can create.
Flightcase of 2 units, price for 2 units.
SHOWTEC POLAR 300 HYBRID
Don’t let the weather get in the way of creating an awesome lightshow. Why let rain keep you from putting together an awesome outdoor presentation? Like they say “The show must go on” and with Showtec Polar you can. A range of rugged IP-65 rated moving heads, designed around sturdy housings with great optics, strong LED engines and a wide array of features and effects. The Showtec Polar family presents a Beam with a razor sharp 1.7° angled beam, a Wash with 8 separate controllable RGBW LED modules and a very versatile Hybrid fixture built around a powerful 300W LED engine. Fixtures engineered to deliver no matter what the conditions are. Just bring on the rain and Polar will bring the light.
The Showtec Polar 300 Hybrid is designed around a 300W LED module and performs perfectly as a beam or spot effect due to the 3° to 30° zoom range. Incorporated in the unit are some exciting features like 8 rotating gobos and 12 static gobos with various effects. Put this in the mix with the double prism effect, from combining the 5f prism and you will have created an awesome effect. As IP65 unit very well equipped for outdoor purposes and versatile applications, controllable via DMX-512, RDM, Art-net and SACN.
Powerful 100 W LED Beam Moving Head – 2 Units in Flightcase
Highly focused 1.7° beam angle
8 bi-rotating gobos + open & 9 colours + white
IP65 (dust and water resistant, fit for outdoor use)
Motorized focus
The Showtec Polar 100 Beam is a powerful and fully featured, yet compact and lightweight 100 watt LED Beam Moving Head with razor-sharp 1.7° beam angle, suitable for both in- and outdoor applications. Its 5-facet circular and 24-facet linear prism with adjustable rotation speed splits the beam to cover a larger area. By using its bi-rotating 8 gobos + open and 9 dichroic colours + white, including rainbow-flow effect, you can easily create nice optical effects. Each function and effect, like its dimmer and strobe function and linear focus, can be controlled via DMX, Art-net, RDM, sACN and W-DMX (wireless).
Flightcase of 4 units, price for 4 units.
INFINITY IW-741 RDM
- Ultrafast movements
- Zoom 3,6° to 60°
- Selectable PWM rate by DMX
- Battery powered display
- White Output Mode
- RDM
- 3P DMX
- W-DMX Fitted
Spectra Par Q12B Exterior Fixture
The Spectra Par Q12B combines high output, 4W quad-colour RGBW LEDs together with integral battery and wireless DMX to form a truly multi purpose, IP rated Par style fixture for colour washing. The ability to operate as a true wireless fixture away from power sources allows rental and event companies to create light shows in remote locations.
– 12 x 4W quad-colour LEDs (RGBW)
– Beam angle: 19°
– 3,400 Lux @ 2m (full on)
– 7.8kHz refresh rate
– Wireless DMX control by W-DMX Sweden
– DMX channels: 4/6 or 8 selectable
– Static colour, colour change, and colour fade modes
– Master/slave mode when cabled
– 0 – 100% dimming and variable strobe
– 3 push button menu with LCD display
– Rechargeable battery for wireless applications
– Maximum run time: 15 hours (single colour), 12 hours (colour change/fade), 4.5 hours (full on)
– Charging time: 6.5 hours (max.)
– PowerCON TRUE1 input/output trailing connections
– IP rated 5-Pin XLR input/output trailing connections
The Showtec Sunstrip LED is the successor of the already popular Sunstrip Active. Flightcased 8 Units.
The Sunstrip LED has five DMX modes: 1, 2, 3, 10 and 20 channel.
Next to DMX it can be controlled in Manual, Auto or Master / Slave Mode.
The DMX 3 & 5 pole and Powercon in/output make the Sunstrip LED easy to daisy-chain in every setup.
Through the Tungsten mode the Sunstrip LED works like conventional bulbs while there is still an option to operate them in Warm white, Cool white or a combination of both.
The Sunstrip LED is equipped with two Wall/Floor brackets in order to put your Sunstrip in any desired position.
- Including Osram HPL-575 bulb
- 2 Light Sources (Tungsten and RGB LED)
- DMX mode and stand-alone control
- DMX and Powercon in and out for easy daisy chain
- Individual dimmer curves for LED and Tungsten
Flightcase of 4 Units, price is for 4 units including barn doors, beam-shapers and top-hats.
SHOWTEC HELIX S5000 Q4
With a rating of IP-65 and sturdy design this unit is well equipped to be used outdoors.
With 40 Prolight Opto RGBW 4-in-1 LEDs you will have absolutely no problem in colouring large areas. The 10° optic lenses generate a very strong beam and for more versatility you can always use one of the optional beam shapers: 20°, 40° or 15×60°. Besides these magnetic beam shapers, a barndoor or tophat are available as separate option as well.
The Helix S5000 is compatible with the Helix 4000 because they use the same colour presets and personalities. On top of this the Helix S5000 has Section control. Each unit has been equipped with WDMX by Wireless Solution Sweden and the 180° Flip-function gives you the opportunity to always place the unit in such a way that the cables and connectors are no longer visible. Rigging is also no issue because the unit comes complete with Quicklocks. We have even added a backlight touch display so you will be able to control your Helix S5000 under any circumstance where light is scarce.
Flightcase of 8 units, price for 8 units.
Rapid QB1 RGBA is a portable battery powered uplighter outputting ultra-smooth colours from rich saturated hues to subtle pastel shades. The compact and robust housing design makes this fixture extremely portable and easily concealable. The internal lithium battery has autonomy of up to 18 hours in single colour mode and up to 8 hours of colour fading and chases, while the charging time is only 5 hours. The light source is composed of 4 x 8W high-power RGBA LEDs and the extractable foot allows you to adjust the tilt angle. The on-board wireless DMX Receiver makes for a truly cable free operation and is W-DMX compatible.
– 4 x 8W quad-colour LEDs (RGBA)
– Beam angle: 15° (field angle: 29°)
– 1,551 Lux @ 2m
– 1.2kHz refresh rate
– DMX channels: 4/6 or 11 selectable
– Wireless control (W-DMX Sweden compatible transceiver)
– Static colour, colour change, colour fade, auto, sound active and master/slave modes
– 0-100% dimming and variable strobe
– M10 rigging point for clamp
– Adjustable foot support for angled floor standing applications (up to 25°)
– Carry handle for transportation
– Safety bond/security chain point
– 4 push button menu with LED display
– Rechargeable battery for wireless applications
– Maximum run time: up to 18 hours (single colour), 8 hours (colour change/fade), 4 hours (full on)
– Charging time: 5 hours (max.)
– IEC power input/output
– 3-Pin XLR input/output
– Convection cooled
– Supplied with IR remote
Flightcase of 8 Units, price for 8 units.
Specifications
- DMX Channels: 3, 4, 5, or 9
- DMX Connectors: 3-pin XLR
- Light Source: 6 LEDs (tri-color RGB) 3 W (600 mA), 50,000 hours life expectancy
- Strobe Rate: 0 to 17 Hz
- PWM Frequency: 1,200 Hz
- Beam Angle: 15°
- Field Angle: 29°
- Maximum Run Time: (all on): up to 8 hours
(single colour): 20 hours - Recharge Time: 6 hours
- Operating Frequency: 2.412 to 2.484 GHz
- Illuminance: 1,938 lux @ 2 m
- Power Linking: 17 units @ 120 V; 30 units @ 230 V
- Input Voltage: 100 to 240 VAC, 50/60 Hz (auto-ranging)
- Power and Current: 32 W, 0.5 A @ 120 V, 60 Hz
31 W, 0.3 A @ 230 V, 50 Hz - Weight: 5.8 lb (2.6 kg)
- Size: 5.4 x 5.7 x 7.2 in (138 x 145 x 184 mm)
Supplied with stand, controller and carry-bag.
Designed to be an all-in-one lighting package, this Equinox system includes a robust stand, road bag, foot controller and 4 multi-colour LED Par panels fitted to a powered T-bar. The multidirectional par panels create a multitude of effects and are independently adjustable for maximum room or stage coverage. The foot controller gives instant and simple control over several control modes. With the convenience and ease of fast set-up and take-down this system is ideal for mobile entertainers.
– 4 x 30W tri-colour COB LEDs (RGB)
– Beam angle: 95°
– Beam angle with supplied lens: 30°
– 30° – 1,120 Lux @ 2m (per par, full on), 95° – 191 Lux @ 2m (per par, full on)
– DMX channels: 1/3/7/12 or 16 selectable
– Auto, sound active and master/slave modes plus built-in programs
– 0-100% dimming and variable strobe
– 4 push button menu with LED digital display
– 3-Pin XLR input/output
– 5-Pin input for included foot controller
– IEC power input
– 2 x IEC power outputs (unswitched)
– Height adjustable stand included
– Carry bag included
– All metal design
– Convection cooled
Freedom Stick Pack Includes: 4 Freedom Sticks, 1 Multi–Charger, 1 IRC-6 Remote and 1 Carrying Bag.
Freedom Stick is a unique and versatile free-standing RGB LED that can be pixel-mapped for ultimate programming creativity. This battery powered fixture has a built-in D-Fi receiver that allows it to be placed anywhere. The sticks also work excellently as truss warmers. A detachable metal base allows you to mount them on truss (clamps sold separately). User-customisable automated programs create complex looks in seconds. Additional control options include auto and sound programs via DMX, wireless master/slave or the IRC-6 remote.
750W zoom profile lamp, requires dimmer & stand.
16A Plug attached to 1m Cable.
500w Zoom profile, requires dimmer and stand
16A Plug fitted to 1m cable.
The Easylift from Doughty is a High Specification Wind Up Stand designed specifically to suit the demanding requirements of the entertainment industry.
Safety features include a twin cable lifting system, self braking winch and a unique secondary auto lock.
Lift Height: 3.80 m
SWL: 30 Kg
Fittings: Top Receiver accepts 16 & 28mm spigots plus a foldaway 16mm Spigot.
Weight: 22 Kg
Classic Chrome finished tripod stand with Follow-Spot head – suitable for use with Vintage Blaze retro fixtures.
Black manual tripod stand with optional top components for T-Bar or TV-Spigot.
Unshakable and Stalwart! This high quality, height adjustable distance rod is a guarantee for a secure, stable and quiet connection to satellite systems. The height is adjusted by an easy-to-use spring-loaded bolt and locking screw. The distance rod is connected to the subwoofer using the M20 threaded bolt. The unique patented expanding mandrel system provides a stable, tight and firm fit for satellite speakers. The movable plastic splints provide for a vibration-free connection between the rod and the speaker. Connecting the speaker is easy and is done using the handy ring lock – which is simply placed in position and screwed on.
Height: from 890 to 1,380 mm
Price Quantity: 2 Units
Increase the stability of any 35mm spigot stand with the Ring-Lock adaptor. Increases height with lockable collett to secure enclosures, reduce wobble, enhance appearance.
Price Quantity: 2 Units
The K&M 26735 provides a descreet alternative to a traditional tripod. Suitable for smaller enclosures such as; QSC K8 or K10 and Sennheiser LSP500.
Price Quantity: 2 Units
The K&M 21339 is an M20 threaded distance pole for mounting loudspeakers on top of sub-woofers; e.g d&b T10 on B8 or Y7P on V-Sub, or QSC 12.2 on K-Sub
A low level, narrow base, tripod loudspeaker stands suitable for 8″/10″ loudspeakers; e.g. QSC K8/K10 or Sennheiser LSP500
Heady Duty wind-up tripod loudspeaker stands, suitable for 12/15″ loudspeakers with 35mm spigot hole.
Price Quantity: 2 Units
Round base straight microphone stand for vocal applications.
Extra tall overhead style tripod boom microphone stand with heavy base and extended legs.
Suitable for use overhead drum kit mic’ing or Choir applications.
Extra low level tripod style boom mic stand for use with; Cajon or Kick Drum
Classic Tripod Boom Stand, short for micing Cajon, Guitar Cabinets etc.
Classic tripod style multi-part boom stand for stage.
Excellent dynamics and low end response on the Audix D6 ideal for kick drum out applications and combines well with Shure beta91a inside.
Lavalier mic optimized for chest placement
- Excellent speech reproduction
- Discreet, compact design
- Fits both left and right buttoned shirts
- Delivered with both black and white pop filters
- Modular adapter system fits most professional wireless systems
While our miniature omnidirectional mics are ideal for situations where a broad pickup pattern is essential and off-axis noise is not a problem, in some challenging acoustic environments a directional microphone is the better choice. The 4080 Cardioid Lavalier captures the human voice with an unusually high degree of definition. This mic offers maximum side rejection and excellent sonic focus on the subject. It is designed for broadcast, conference and other live performances both in the studio and in the field.
Supplied with microdot connection, requires adaptor for XLR / 3.5mm / Sennheiser or Shure body-packs
Legendary sound – flexible headset
- Pristine audio quality
- Lightweight and flexible
- Easy mounting to the left or right
- Minimal visual impact
- Resistant to humidity
- Flexible adapter system fits most professional wireless systems
Combining the legendary sound of the 4088 Directional Capsule with the lightweight and DPA’s flexible headset system, the 4288 Directional Headset Microphone is ideal for both spoken word and vocal performance applications. It offers accurate and natural voice intelligibility and very high-SPL capabilities – users can both speak and sing into the mic with no hint of distortion.
Supplied with microdot connection. An adaptor is required for XLR / 3.5mm / Sennheiser or Shure Body-Packs.
The true voice of your instrument
- CORE by DPA technology inside
- Supercardioid condenser microphone
- Handles high SPLs
- Superior gain-before-feedback
- Flexible and easy mounting
- Gentle and easy to mount on the instrument
- Detachable cable and a versatile gooseneck extender
Now with CORE by DPA technology
The 4099 is already the recognised standard for this type of microphone and the CORE version adds just another layer of sound quality that further distances this mic from its competitors. 4099 CORE brings more clarity and details to your music, across the entire dynamic range. Anyone looking for the very highest sound quality should choose CORE – every musician, live sound engineer and anyone else who takes pride in quality audio.
CORE by DPA is a powerful new technology at the heart of DPA miniature microphones. We’ve minimized distortion. From pianissimo to forte, you will experience increased clarity and openness. Learn more about CORE by DPA.
From the piano to guitar; strings to woodwinds; brass to percussion, the 4099 Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly.The award-winning 4099 Series gives you a much more natural sound than any clip-on microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument.
This microphone comes in two versions:
- 4099 CORE Mic, Loud SPL (red marking on gooseneck) – used to close-mike most types of instruments
- 4099 CORE Mic, Extreme SPL (yellow marking on gooseneck) – used to close-mike extremely loud instruments, such as drums and some brass
The 4099 CORE also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Detachable cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting.
IP58 certified
All CORE by DPA technology microphones, including the 4099 CORE, are IP58 certified. This durability is achieved through a number of defense mechanisms:
• Water-repellant nano-coating of the cover and housing
• Hermetic sealing of the sensitive amplifier at the core of the mic
• Dual gold plating of the diaphragm
Violin, viola, banjo and mandolin
The 4099 CORE for Loud SPL is perfect for the violin, banjo and viola. Users will appreciate how gently this condenser mic adheres to their prized instrument.
Drum
The 4099 CORE for Extreme SPL perfectly captures the booming sounds of drums and percussion instruments. Users will appreciate how gently this condenser mic adheres to their prized instrument. The mic can be easily positioned to fit different types of drums. The flexible gooseneck can be positioned at different angles to allow a variety of sound nuances. The mic is elegant, lightweight, unobtrusive and designed to stay out of the way during performances.
Piano
This mic solution makes it easy to achieve a high level of isolation on stage. It also provides clean and transparent stereo sound quality with realistic dynamics.
Guitar, ukulele and dobro
The 4099 CORE for Loud SPL is perfect for PA amplification and live recording of acoustic guitar, mandolin, ukulele and dobro. It offers practically unlimited placement possibilities. The sound it provides is considerably more natural than an internal microphone or pick-up.
Saxophone
The 4099 CORE for Loud SPL is perfect for the entire saxophone family: soprano, alto, tenor or baritone. It also sounds great on the bass clarinet. It comes with a very versatile clip that can be used on all types of sax and brass instruments.
Trumpet, trombone and other brass
The 4099 CORE for Extreme SPL is perfect for trumpet, trombone and other brass instruments that can make a lot of sound. You can use it with or without mute. The microphone effortlessly handles even the highest sound pressure levels.
Bass
The 4099 CORE for Loud SPL is the perfect mic solution for PA amplification and live recording of acoustic upright bass. It offers a sound that is considerably more natural than an internal microphone or pickup. There are several excellent placement possibilities on the instrument.
Cello
For perfect PA amplification and live recording of a cello choose the 4099 CORE for Loud SPL, which includes a mounting clip meticulously designed and optimized for the violoncello. It offers a sound that is considerably more natural than an internal microphone or pickup.
Accordion
This mic solution makes it easy to achieve a high level of isolation on stage. It also provides clean and transparent stereo sound quality with realistic dynamics. It is a complete system, which includes a pair of 4099 CORE for Loud SPL selected on sensitivity within ±1.5 dB. The two included mic clips can be attached permanently to the instrument using screws.
Oboe, clarinet, bassoon, recorder and flute
This 4099 CORE for Loud SPL solution is designed to address the unique mounting challenges of slim bodied and unusually shaped instruments. The design of the microphone clip includes a hook-and-loop fastener strap, which allows it to fit instruments of varying sizes and diameters such as the oboe, clarinet, bassoon, recorder and flute.
Clamp Mount
The 4099 CORE for Loud SPL with a mount designed to be flexible, easy to use and quick to move. With a strong spring, the mount can be clamped onto many surfaces and instruments such as saxophones and brass instruments.
Stand Mount
Even though the 4099 CORE is often used attached directly to a specific instrument, many users have asked for a solution to mount the mic on a regular microphone stand. Now you can get the unparalleled sound of the 4099 CORE for Loud SPL easily mounted on a mic stand.
Classic Neumann KMS105 cardioid condenser vocal microphone for rich, clear vocals
Clip on Tom Mic for micing rack/floor/snare drums
Sennheiser e614 is a condenser microphone suitable for instrument or drum overhead applications
Sennheiser e945 clip-on dynamic microphone for snare/tom applications
Sennheiser e906 is ideal for micing up guitar cabs or instruments where feedback rejection is key.
Super cardioid dynamic vocal microphone
Classic Kick Drum out applications, combines well with Beta91a inside.
The Shure Beta56a has a unique 90º attachment ideally suited for drum vocals or for Rack/Floor tom applications with the attachment clip
Shure Beta57a dynamic microphone for vocal and instrument applications.
Classic live vocal microphone, the Shure Beta 58 dynamic microphone has excellent feedback resistance for live on-stage use.
Shure Beta91a is a condenser boundary microphone for general boundary applications and one of the best internal kick-drum microphones.
High performance condenser microphones for instrument, piano, overhead applications. Including stereo mounting bar.
The KSM9 is a cardioid condenser microphone for vocal applications
T10 loudspeaker
Line arrays / Point sources
2-way loudspeaker with rotatable horn for point and line source operation
- Components 2 x 6.5″/1.4″
- Dispersion 90° x 35° / 105°
- SPLmax 130 / 132 dB
- Weight 11 kg / 24 lb
Y7P loudspeaker
Point sources
High performance 2-way passive point source loudspeaker
- Components 2 x 8″/1.4″
- Dispersion 75° x 40°
- SPLmax 137 dB
- Weight 18 kg / 40 lb
Product description
The compact, 2-way passive Y7P loudspeaker features two 8” drivers in a dipole arrangement with a 1.4” compression driver mounted onto a rotatable CD horn. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 75° horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40°. The horn can be rotated by 90° to enable horizontal orientation. The Y7P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the Y-Series, either ground stacked or flown. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet incorporates a pair of handles whilst M10 threaded inserts are provided for attaching d&b rigging hardware. Additionally, two further M10 sockets accept the 8mm load pin to expand the mounting options.
B8 subwoofer
Subwoofers
High performance ultra compact subwoofer
- Components 2 x 6.5″
- Dispersion omnidirectional
- SPL max 122 dB
- Weight 18 kg / 39 lb
Product description
The B8-SUB is an ultra compact subwoofer that pairs with the established d&b xC, xS and E-Series loudspeakers. The B8 features two 6.5” drivers housed within a bass-reflex cabinet design. Its low height makes it an ideal solution for small scale mobile applications that require an extended low frequency response while still achieving high Sound Pressure Levels. The frequency response extends from 43 Hz to 170 Hz. When operating in 100 Hz mode, the upper operating frequency of the subwoofer is reduced from 170 Hz to 125 Hz.
The B8-SUB can be flown either horizontally or vertically. The rear of the cabinet incorporates a handle and an M20 threaded flange in the top panel that accepts the d&b Z5013 Loudspeaker stand for the deployment of applicable d&b full range cabinets with a maximum top load of 8 kg (17.6 lb). Two M8 threaded inserts are incorporated, one on each side panel to allow the attachment of a dedicated flying bracket.
The enclosure is constructed from marine plywood with an impact resistant black paint finish. The front of the cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet is fitted with NLT4 F/M connectors.
V subwoofer
Subwoofers
High performance flyable cardioid subwoofer
- Components 18″/12″
- Dispersion Cardioid
- SPLmax 137 dB
- Weight 64 kg / 141 lb
Product description
The V-SUB is an actively driven high performance cardioid subwoofer powered by a single amplifier channel. The V-SUB features integrated rigging equipment, and shares the same acoustical and visual design as the V-GSUB, which is intended for ground stacked applications only. It houses two long excursion neodymium drivers, an 18″ driver in a bass-reflex design facing to the front and a 12″ driver in a two chamber bandpass design radiating to the rear. The cardioid dispersion pattern resulting from this approach avoids unwanted energy behind the system that reduces the reverberant field at low frequencies and provides the greatest accuracy of low frequency reproduction.
The V subwoofer can be used to supplement V8 and V12 loudspeakers in various combinations, ground stacked or flown, either integrated on top of a V8 / V12 array or as a separate column.
The V-SUB cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates two handles, whilst the top panel has an M20 high stand flange inserted.
Rubbber Box Cube04 Box fitted with:
1 x 32A 240v 1PH+N+E Appliance Inlet
2 x 16A 240v 1PH+N+E Sockets
2 x 13A 240v 1PH+N+E Sockets
1 x 32A 30ma DP RCBO
2 x 16A SP MCBs
Triangle Box fitted with:
- 1 x 32A 240v 1PH+N+E Appliance Inlet
- 8 x 16A 240v 1PH+N+E Angled Sockets
- 1 x 32A 30ma DP RCBO
- 8 x 16A SP MCBs
Rubber Box 63A 240v Supply Distribution Unit
Product Code: RUB2701
Type 270 Box fitted with:
1 x 63A 240v 1PH+N+E Appliance Inlet
3 x 32A 240v 1PH+N+E Sockets
7 x 16A 240v 1PH+N+E Sockets
1 x 63A DP MCB
1 x 63A 30ma DP RCD
3 x 32A SP MCBs
7 x 16A SP MCBs
1 x Set Incoming LEDs
32A 3-Phase Distro
Type 185H Box fitted with:
1 x 32A 415v 3PH+N+E Appliance Inlet
1 x 32A 415v 3PH+N+E Thru Socket (Unprotected)
3 x 32A 240v 1PH+N+E Sockets
3 x 16A 240v 1PH+N+E Sockets
3 x 32A 30ma DP RCBOs
3 x 16A SP MCBs
1 x Set Incoming LEDs
Rubber Box 63A 415v 3-Phase Supply Distribution Unit
Product Code: RUB270H4
Type 270H Box fitted with:
1 x 63A 415v 3PH+N+E Appliance Inlet
1 x 32A 415v 3PH+N+E Socket
3 x 32A 240v 1PH+N+E Sockets
6 x 16A 240v 1PH+N+E Sockets
1 x 63A TP MCB
1 x 63A 30ma 4 Pole RCD
1 x 32A TP MCB
3 x 32A SP MCBs
6 x 16A SP MCBs
1 x Set Incoming LEDs
The LSP 500 PRO is a wireless two-way audio system for professional use. It has been designed to address audiences at indoor and outdoor events without the need of any power or audio cables. The LSP 500 PRO allows you to install up to three receivers for wireless microphones. You can also play music wirelessly via a Bluetooth connection. Alternatively, you can use the integrated media player to play music from your USB storage device. For larger events you can send the sum signal of one LSP 500 PRO via a wireless transmitter to other LSP 500 PRO devices. The LSP 500 PRO is remote controllable via iPad App or Windows Remote Control Software, which serves as a mixing console and permits the control of up to 20 LSP 500 PRO simultaneously.
Trolley Case of single units, price per unit.
- Optional Add Ons:
Sennheiser EM500 Wireless Receiver & Handheld Microphone
Sennheiser EM300 Wireless Transmitter & EM500 Wireless Receiver for 2nd Unit (Stereo Pair)
Spare Batteries & Charger Unit
Designed to fit compact studios while fulfilling the demands of the most ambitious audio productions, the Genelec 7050B subwoofer is the ideal complement to the 8010 and 8020 monitors in both stereo and multichannel audio formats. Despite its space-saving dimensions, the subwoofer is built to meet 5.1 expectations, with five main inputs and an LFE channel with 85/120 Hz reproduction bandwidth selection. Low frequencies are extended down to 25 Hz, while Genelec’s Laminar Spiral Enclosure (LSE™) ensures unwavering precision and enhanced, colour-free low end capacity.
Deceptively compact, the Genelec 7050B subwoofer is the undeniably powerful, professional choice.
5,500 Lumen Projector with standard motorised zoom lens 1.8 – 2.4:1 ratio
Optional lens: Panasonic ET-DLE050 Fixed Angle Short Throw Lens 0.8:1
Inputs: DVI-HDMI / RGB
Ultra-Short throw desktop projector 2,500 lumens.
Input: HDMI / RGB
Adjustable Unicol projector trolley;
Optional table platforms;
small = sanyo wl2500 or equivalent
large = panasonic ptdw5100 or equivalent
Optional telescopic columns;
small = 64 – 84 cms
large = 84 – 128cms
Please specify options required.
Large format HD display on twin column stand ideal for corporate, presentation and conference/meeting applications.
Variety of inputs including HDMI, DisplayPort etc.
Supports FULL HD 1080p resolution. 65″ , single flightcase, two-man lift.
Suitable for Screens above 70” with universal mount.
***Requires Unicol TCAVT Heavy Duty Stand and at least 2 people and large van to transport & install
Connectivity
Aerial Input (RF) Yes
Common Interface (CI) Yes
Digital Optical Output Yes
HDMI ARC (Audio Return Channel) Yes
HDMI Input 3
Internet Connection WiFi and Ethernet
Satellite Input (LNB) Yes
USB Input 2
Complete U-Frame Assembly on Wheeled Base comprising;
1 x Wheeled Base Units 500mm W
3 x F31PL 760mm H x 500mm W
1 x F31PL 420m H x 500mm W
Options:
Height can be tailored by varying the quantity of the U-Frames installed together (Combinations)
Boom Arm (250mm or 500mm)
Top Bridge 1000mm span to link two units together for structural integrity or to attach a fixture that exceeds the 500mm width (e.g. Chauvet RH1 or Polar 300 Hybrids)
Finish: Black Annodised.
Doughty Tank Trap base for 48mm Aluminium Barrel.
M4 stage monitor
Stage Monitors
2-way stage monitor
- Components 15″/1.3″
- Dispersion 50° x 70° rotatable
- SPLmax 140 dB
- Weight 20 kg / 44 lb
Product description
The M4 is a 2-way high performance stage monitor employing an integrated 15” LF and 1.3” exit horn loaded HF coaxial driver design that utilizes neodymium magnets. The constant directivity dispersion of 50° x 70° (h x v), which this unique horn provides, delivers an accurately defined coverage area on stage. The M4 can also be operated in 2-Way Active mode. When the cabinet is used in an upright position the M4 serves as a powerful PA loudspeaker with a 70° x 50° dispersion suitable for a variety of applications. For dedicated installation applications the dispersion characteristics of the M4 driver assembly can be rotated in 45° increments. The M4 cabinet is constructed from marine plywood, which incorporates the handles, has an impact resistant paint finish, M10 threaded inserts and a socket to accept loudspeaker stands. The front of the loudspeaker cabinet is protected by a rigid metal grill backed with an acoustically transparent foam. Two runners recessed in the bottom panel protect the cabinet from scratching and prevents movement.
Flightcase of 2 units, price per pair.
Case of 2 units, price per pair inc. IEC mains lead and wall brackets. Tested, as new condition.
8020D Studio Monitor
When it comes to performance versus size, the 8020 has set the benchmark in nearfield monitoring for over 15 years.
Active Crossovers
Directivity Control Waveguide (DCW™) Technology
SPL
100 dB
Frequency Response
56 Hz – 25 kHz (-6dB)
4-Channel HD/SD HDBaseT Portable Video Streaming Studio
Made for mobility. Made for the web.
The HS-1600T Mark II brings a new level of simplicity to production workflows. You’ll set up faster and easier thanks to its portable ”briefcase” design and HDBaseT Technology. And thanks to its built-in H.264 web streaming encoder, you can stream your show to virtually any CDN like YouTube and Facebook in no time.
Variety of video and audio input/output
4 video inputs (RJ-45 x 3 + HDMI x 1) and 4 video (HDMI x 3)+HDBaseT outputs
Audio inputs: XLR Analogue x 2 + RCA Analogue (L/R) x 2
Made with HDBaseT Technology
Camera connections typically require one cable for video, a second cable for power, and a third one for control. However, the HS-1600T Mark II is able to do all of the above using only one ethernet cable for each camera. This increase in flexibility greatly reduces setup time, and now you can mount the camera in challenging locations (like spots without nearby power outlets)
Built-in H.264 recorder for SD cards
The HS-1600T Mark II comes with a built-in web-ready recorder. Simply insert your SD card, and you’ll have video files that can be immediately uploaded to the video network of your choice or to your website.
Dual Stream encoder to Facebook Live, YouTube, Twitch, and more
With the built-in H.264 streaming encoder, you can stream your show to two different streaming platforms virtually any CDN including Facebook, YouTube or Twitch in no time.
Built-in camera control.
17.3 inch LED Backlit Monitor
Built-in Monitor Display. 17.3” HD TFT LED backlit monitor with resolution 1920×1080 pix.
Specifications
| HS-1600T MKII 4-Channel HD/SD HDBaseT Portable Video Streaming Studio | |
|---|---|
| Video Standard | HD & SD |
| Video Format | 1080p 50/59.94/60Hz
1080i 50/59.94/60Hz 720p 50/59.94/60Hz 576i/p 50Hz 480i/p 59.94Hz |
| Input Routable / Crosspoint | N/A |
| Video Inputs | 3 x HDBaseT
1 x HDMI |
| Computer Graphic Interface | 1 via HDMI |
| Down-converted Output | Yes |
| Video Outputs |
2 x HDMI PGM 1 x HDBaseT (RJ-45) 1 x Stream Port (RJ-45) |
| Audio Inputs |
2 x Balanced XLR |
| Audio Output |
1x Stereo headphone |
| Digital Embedded Audio Support | Input 2 channels
Output 2 channels |
| Audio Delay Calibration | N/A |
| A+V Switching |
N/A |
| USK |
1x USK Lumakey support |
| DSK | N/A |
| Picture in Picture | 1 |
| Logo Insertion | N/A |
| Built-in Audio Mixer | 4 channels |
| Built-in Monitor Display |
17.3” HD TFT LED Backlit 1920×1080 pixels |
| Built-in Intercom & Tally | N/A |
| Streaming Video Encode |
H.264 / AVC, Main/ High Profile Configurable Bit-rate up to 10Mbps |
| Streaming Audio Encode |
AAC-LC |
| Streaming Protocol |
TS over TCP/UDP (unicast & multicast) |
| Streaming Control | Web UI for system configuration and control |
| Recording File System |
FAT, exFAT, NTFS |
| Recording File Format |
MP4 |
| Recording Setting Control |
Web UI for system configuration and control |
| Dimension (LxWxH) | 455 x 355 x 134 mm |
| Weight | 7.8 kg, Reinforce Plastic Case |
| Power | DC 48V, 4.16A |
| Operating Temp. Range | 0~40 °C |
| Optional Accessories | CB-60/61/62 |
HDBaseT PTZ Camera for HS-1500T and HS-1600T
Stunning Full HD resolution
The PTC-140T features 1/2.8 inch CMOS sensor, 1920x1080px Full HD resolution, 60fps.
20x Optical Zoom, 10x Digital Zoom
The PTC-140T\\\\’s 20x optical zoom and 10x digital zoom allows you to mount it near or far and still get great, sharp shots.
Single cable transmission by HDBaseT technology
Based on HDBaseT technology, all signals, power, and control data travel through a single CAT6 (“network cable”). By applying with the Receiver Box, the transmission distance is able to up to 100 meters away.
Specifications
| PTC-140T HDBaseT PTZ Camera | |
|---|---|
| Video format | 1080p 60/59.94/50/30/29.97/25 1080i 60/59.94/50 720p 60/59.94/50 |
| Image Sensor | 1/2.8 inch high quality HD CMOS sensor |
| Effective Pixels (approx.) | 2.07 Mega pixels |
| S/N Ratio | >55dB |
| Min. Illumination | 0.5Lux (F1.8, AGC ON) |
| Electronic Shutter | Auto / Manual |
| Zoom Ratio | 20x Optical Zoom, 10x Digital Zoom |
| Gamma Control | Off / Normal |
| Iris Control | Auto / Manual |
| Digital Noise Reductions | Yes |
| On-Screen Display (OSD) | English, Simplified Chinese |
| White Balance | Auto, Manual, One Push, 3000K, 4000K, 5000K, 6500K |
| AGC / Gain Control | Auto / Manual |
| Mirror / Flip Image | Yes |
| Focus Mode | Auto / Manual |
| Panning / Tilting Range | Pan: 340° , Tilt: +90° to -30° |
| Panning / Tilting Speed | Pan: 0.1~60°/sec Tilt: 0.1~30°/sec |
| Preset | 255 Position |
| Focal Length | f=5.2 (wide) to 98 (tele) mm F1.6 to F3.5 |
| Field of View (Horizontal, Wide) | Approx. 54.7° (WIDE END) / 3.3° (TELE END) |
| Image Compensation | Backlight Compensation |
| Video Output | HDBaseT (PoE) x1 RJ-45 x1 |
| Audio Input | Line In (IP Stream Output) |
| Tally LED | Dual color (Red, Green) |
| Filter | M52.0 x 0.75 Thread with UV Protection |
| Protocol | VISCA, DVIP |
| Remote Control Interface and Transmit Distance | RS-232
Lan (RJ-45) HDBaseT(RJ-45)/Serial control on Receiver Box: Transmit up to 100m |
| Video Compression Format | H.264, H.265, Dual stream output |
| Audio Compression Format | AAC/MP3/PCM Audio compression |
| HD IP Interface | 100M IP port(100BASE-TX); Support DVIP |
| Network Protocol | RTSP, RTMP |
| F/W Update | Ethernet |
| IR Control | Yes |
| Camera Control Unit | HS-1500T/HS-1600T/RMC-180/RMC-300C |
| Tripod Mount | 1/4-20 UNC |
| Options | WM-1 |
| Color | Black/White |
| Dimension (LxWxH) | 156 x 182 x 186 mm |
| Weight | 1.6 kg |
| Operating Temp. Range | 0~40 °C |
| Power | DC 12V 12W |
Versatile Multi-Format Vision Mixer/
with 4 x 3G HD-SDI Inputs or 4 x HDMI 0r 2 x VGA and combinations up to 4 live switching channels.
Multi-Format design means that each individual input can be of its own native resolution and the Roland VR-50HD will normalise and up/down/cross scale to suit the user defined output resolution.
AN ALL-IN-ONE HD MULTI-FORMAT AV MIXER WITH BUILT-IN USB 3.0 FOR WEB STREAMING AND RECORDING
A complete portable HD studio in a single unit. Single-person operation of sound and picture using faders, buttons and touch screen. The Roland VR-50HD all-in-one AV mixer beautifully integrates an audio mixer, video switcher, multi-viewer touch screen and USB video/audio streaming into a stand-alone device. This single unit delivers functionality that until now required a number of peripheral devices to accomplish. This portable live HD production solution** is ideal for schools, churches, council meetings, corporate events, sports, trainings, or any other live event.
** Requires Software or Hardware Encoder – NOT INCLUDED **
Roland VC-300HD Video Converter & Audio Embedder 1U
Multi-format In/Multi-format Out
Designed for a wide range of workflows in mid, post and live video productions, the VC Series offers flexible format conversion of Digital/Analog, HD/SD or compressed/uncompressed signals. The VC series also accepts signals and direct connections from computer RGB sources. A wide variety of output devices like record decks, data projectors or plasma/LCD displays can be directly connected.
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Main Features
Designed for the Highest Quality Image 4:4:4
The VC Series uses high quality A/D and D/A converters for input and output along with internal 4:4:4 10 bit signal processing. From simple format conversion to MPEG encode/decode to complex frame rate conversions, the VC Series delivers professional results.
Compatible with HDV devices
Compatible with wide variety of HDV cameras and VTR’s from Sony, Canon and JVC, the VC Series offers a high quality processor for encoding and decoding HDV in real-time. Roland’s audio technology also makes simultaneous processing of the audio signal possible.
Supports 24p Frame Rates
Cinema frame rates like 24p and 23.98p are now supported to enable conversion of footage shot with a variety of cameras. Supported frame rates vary depending on Input/Output terminals.
4-Point Gamma Correction
The newly added 4 points Gamma Correct function enables adjustment of
bright/dark part independently. Enhances images to have a more film-like color.
Image Quality
Carefully optimized algorithm of the built-in scaler has resulted in further improvements in the the image quality of the VC. Highly accurate processing is achieved in all types of conversion – up, down and cross conversion.
You can select the SDI (HD/SD) output to be pre-processor or post-processor.
This enables a monitor output or split output capability.
Copy Protection on i.LINK output
You can add CGMS-D (Copy Generation Management System – Digital) to the output signal. This enables limitation to copy of digital content.
You can now remotely control parameter setup of the VC from external devices, like a PC, via RS-422A Remote Terminal. This can be also used for parameter data backup.
User Presets
Parameters like input signal, conversion or processing can be saved to an internal memory. Up to 3 presets can be saved and enables convenient recall.
Auto format detection and simultaneous output from multiple terminals
The VC 300HD/VC-200HD features automatic detection of the input source and simultaneous output of the converted signal to multiple terminals such as SDI, IEEE 1394, DVI and analog component. This enables the recording or display of a single source to multiple recording devices or displays.
Bi-directional conversion and scaling
Bi-directional conversion of different formats including 59.94p, 50i, etc. are possible with the VC Series. Multiple resolutions like 480i/p,720p or 1080i can be input/output along with NTSC/PAL conversion.
Gen lock with external devices
The input and output to and from the VC series can be gen-locked with external devices. The VC supports variety of sync signals including analog BB, Bi-level (SD) or Tri-level (HD). The VC Series’ built-in frame synchronizer helps to lock signals from consumer products or computers.
Time code and embedded audio
When performing HD-SDI/SDI <> HDV/DV conversion, the VC Series can pass the original time code and audio stream signals. The audio embedded in the HD-SDI or SDI signal can be separated and sent from the analog outputs. The VC Series can embed audio from the analog inputs to the
HD-SDI/SDI or HDV/DV signal.
Audio Delay Function
Audio can be precisely delayed by milliseconds or frames to compensate for the video delay caused by frame synchronizing or conversion processing. The Audio Delay function makes the perfect “lip sync” possible.
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OUTPUT FORMATS
HDV(1080i)
HDV(720p)
DV
COMPONENT
DVI
HD-SDI
SD-SDI
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INPUT FORMATS
HDV(1080i)
HDV(720p)
DV
COMPONENT
DVI
HD-SDI
SD-SDI
• VC-300HD/VC-200HD • VC-300HD only
0dBu=0.775Vrms * VC-300HD Only
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Use the VC-300HD when your input sources include more than just SDI – including DVI-D, DVI-A, and Component. In addition you can also scale to a different frame size including 1080, 720, NTSC, and PAL as well change frame rates (including 24p). For sources other than SDI you can also embed audio into the digital stream and the VC-300HD allows you to delay the audio by fractions of milliseconds or frames to ensure that perfect lip sync.
Single channel of wireless CH38 receiver with either;
SKM100-835 Wireless Handheld Transmitter
OR
SK 300 G4 Wireless Bodypack Transmitter (excludes microphone)
Supplied with 2 x AA batteries, 5m XLR Cable, 2 x local ‘twig’ antennas, PSU, Carry Case.
A custom built 3U rack with the following components;
4 x Sennheiser EM-300-500 G4 Wireless Receivers
1 x Sennheiser ASA-214 Antenna Combiner
1 x Ethernet Switch inbuilt with exposed network connections on rear panel for use with WSM
1 x Powercon to 13A Power inlet cable. (link thru also available by request)
1 x 4 -Way 3m XLR Loom (connections are all exposed on the rear of the rack panel)
2 x Omni or Directional antenna paddles (please specify your requirements)
2 x 10m 50Ω BNC cables
1 x 3U Rack and Carry Case
4 x SKM100-835 Handheld Microphones
OR
4 x SK300 Bodypack Transmitters (excluding microphones)
OR
Any Combination totalling 4.
All battery operated units will have fresh batteries fitted, plus a box of 10 AA batteries will be provided.
SK 300 G4 Wireless bodypack transmitters is compatible with G3/G4 EM300-500 Receivers
Sennheiser 100 series wireless transmitter fitted with 835 dynamic capsule.
Excellent for general speech and announcement applications.
Sennheiser SKM 300 Series wireless handheld transmitter fitted with Mute switch on the casing and 835 dynamic capsule.
Ideal for general speech and announcement applications where user control of the mute switch is required.
Sennheiser SKM500 Series handheld wireless transmitter fitted with the 900 series 935 capsule for improved clarity and dynamics.
Suitable for speech, announcement and live stage vocal applications.
Sennheiser 500 Series handheld transmitter fitted with 945 Capsule for rich mids, vocals and improved dynamic clarity with super cardioid pattern.
Ideal for live stage vocal applications, speech and general announcements.
Sennheiser SKM500 Series G4 wireless handheld transmitter, excluding capsule, can be fitted with a variety of options;
Sennheiser 835 Dynamic Capsule – Speech
Sennheiser 935 Dynamic Capsule – Speech
Sennheiser 945 Dynamic Capsule – Speech, Live Vocals
Neumann KK205 Condenser Capsule – Live Vocals
Neumann KK205 Capsule for Sennheiser SKM500 G4 ONLY / 6000 Series Wireless Handheld Microphones